Month: April 2026

Wallace Chan: Vessels of Other Worlds – A Dual-Site Exhibition in Venice and Shanghai

Wallace ChanVessels of Other Worlds VeniceSanta Maria Della PietàMay 8 – Oct 18, 2026 ShanghaiLong Museum West BundJul 18 – Oct 25, 2026 wallace-chan.com Coinciding with the 61st International Art Exhibition of the Venice Biennale, Wallace Chan presents Vessels of Other Worlds, a dual-site exhibition unfolding between Venice and Shanghai. Opening on 8 May 2026 at the Chapel of Santa Maria della Pietà in Venice, and continuing from 18 July 2026 at the Long Museum in Shanghai, the project is curated by James Putnam and establishes a transcontinental dialogue between two cities historically defined by water, reflection, and exchange. At the core of the exhibition is oil, or Olea Sancta, a substance that, across cultures and religions, has long functioned as a medium of purification, protection, and consecration. Used in rituals in Christianity, Buddhism, Judaism, and Islam, oil embodies a shared understanding of transformation and spiritual continuity. Chan reimagines this material not as substance alone, but as a conceptual thread linking different systems of belief. In Venice, three titanium vessels are installed within the Chapel’s …

Classical Salon X at Ping Pong Gintonería

Published by Artomity Magazine

Lau Kei Lung Dragon, Yeung Ming, Ling Chun Yu Martin, Wong Long Chit Long, Zhong Kejun, Wong Chi Ho Harry, Pang Sze Wai Olivia, Nurlybek AbylayClassical Salon X in partnership with HKBU Academy of MusicThursday, Apr 23, 20268.30pm – 10.30pm Ping Pong Gintonería 129 Second StreetL/G Nam Cheong House Sai Ying Pun, Hong Kong +852 9035 6197 Monday – Sunday, 6pm till late pingpong129.commus.hkbu.edu.hk Ping Pong Gintonería continues its collaboration with HKBU Academy of Music (HKBUMUS), presenting a recital that highlights the technical command and interpretive depth of the Academy’s emerging artists. The repertoire spans diverse musical traditions, from the structural precision of Beethoven and Mozart to the virtuosic Romanticism of Liszt, complemented by lyrical arrangements of Gershwin. BeethovenPiano Sonata in C major Waldstein (Op. 53), Adagio molto, Allegretto moderato Liszt Fantasia Quasi Sonata, Dante Sonata Mozart Piano Trio in C major, KV548, movement 1 Gershwin Estrellita, It Ain’t Necessarily So (Arr. Heifetz for Violin and Piano)

Wesley Tongson at gdm Taipei

Published by Artomity Magazine

Wesley Tongson Whispers of Myriad ValleysApr 16 – Jun 27, 2026Opening: Apr 16, 4pm – 7pm 1/F, 390 Ruiguang RoadNeihu, Taipei+886 2 7713 6696Tuesday – Saturday, 11am – 7pm galeriedumonde.com Wesley Tongson (1957–2012) transformed ink painting into a fearless act of experimentation and expression. From his early splash-ink works—pigments cascading in ecstatic rhythms—to his radical abandonment of the brush, painting instead with fingers, fingernails, and hands, Tongson made the body itself the brush. Each gesture was a performative outpouring of emotion, each mark a whisper that swelled into powerful resonance. His artistic journey unfolds as a restless search for transcendence. Radiant splash-ink landscapes dissolve boundaries between tradition and innovation, while monumental finger paintings collapse the distance between artist and medium. At the exhibition’s center, the monochrome Spiritual Mountains are set within a mirrored chamber, immersing viewers in a space of contemplation. In later years, Tongson reintroduced color into these mountains, conjuring imaginary worlds where dreams and his inner voice could be revealed. The path culminates in finger-painted plants, placed in dialogue with the living garden beyond the gallery walls. These works embody resilience, purity, and renewal, …

Wallace Chan: Vessels of Other Worlds – A Dual-Site Exhibition in Venice and Shanghai

Published by Artomity Magazine

Wallace Chan /Vessels of Other Worlds / Venice /Santa Maria Della PietàMay 8 – Oct 18, 2026 Shanghai /Long Museum West BundJul 18 – Oct 25, 2026 wallace-chan.com To coincide with the 61st International Art Exhibition of La Biennale di Venezia, Wallace Chan presents Vessels of Other Worlds, a dual-site exhibition unfolding between Venice and Shanghai. The project marks the artist’s 70th birthday and introduces a new body of monumental titanium sculpture. Curated by James Putnam, the exhibition extends Chan’s longstanding investigation into material innovation, metaphysics, and scale. At the Pietà Chapel, three titanium vessels reference the Olea Sancta — the sacred oils used in Catholic rites — and are structured around the triad of birth, growth, and death/rebirth. Their biomorphic and architectonic forms evoke the layered cosmologies of Hieronymus Bosch’s The Garden of Earthly Delights, while remaining grounded in Chan’s sculptural language. Installed within the Chapel’s altar space, a triptych of video screens operates as a live conduit to Shanghai, collapsing geographical distance and situating the exhibition within a transcontinental framework. At the Long Museum, the …

Hong Kong Arts Development Council SHOWCASE Presents The Lurking Void

Published by Artomity Magazine

Phoebe Hui /The Lurking Void /Mar 21 – Apr 19, 2026 / SHOWCASE / UG/F, Landmark South 39 Yip Kan StreetWong Chuk HangClosed on Mondays except 6 AprilSaturday – Wednesday, 12pm – 7pm Thursday – Friday, 12pm – 8.30pm hkadc-islandsouth.hk The Hong Kong Arts Development Council (HKADC) presents its latest exhibition, The Lurking Void, at its distinctive multi-functional space, the SHOWCASE. Harnessing the full scale of the venue, the exhibition envelops audiences in colossal, site-specific installations, brought to life through unsettling sound and motion. Office equipment – printers, desks, cables, and scanners – transform into creature-like entities and landscapes, portraying a white‑collar world where AI does not replace humans but alters the nature of work, leaving people neither erased nor in control, but instead deeply entangled. The Lurking Void is a psychological portrait of contemporary office labour shaped by the growing presence of artificial intelligence. Rather than framing AI as a force that simply replaces human workers, the project reflects on how work, identity and value are being reconfigured as humans and machines increasingly operate together. In this environment, the boundary between human …