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Event Scores by Artists-Parents 事件譜之又係藝術家又係阿爸阿媽
Published by Rooftop Institute 出版社：天台塾 /Ysabelle Cheung / There is a backwater thought that once an artist (usually female, according to patriarchal hierarchies) bears children, they become somewhat infertile in their creative practices. “After I gave birth, some people apparently thought that I had retired to take care of my child,” Wong Wai Yin once stated in an article. In truth, she had only...
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Another Garden of Remembrance 另一個紀念花園
By John Batten / So, you have entered the Garden of Hong Kong. (Something like) ‘How to…’ instructions (with extra comments) to listen to a DVD, or appreciate a broken washing machine or refrigerator, in Lee Kit’s Hong Kong Garden: Be comfortable and confident as you walk in the garden. Walk around to get a good overview of what’s inside....
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Maurice Benayoun 莫奔
By Caroline Ha Thuc / A pioneer of new media art, French artist and theorist Maurice Benayoun began experimenting with 3D animations in 1987 and interactive VR installations in the early 1990s. Since then, he has developed a complex multimedia practice that combines digital technologies with a conceptual approach. Benayoun, also known as MoBen (莫奔), arrived in Hong Kong nine years ago to teach at...
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The Moon is Leaving Us 月逝無聲
By Aaina Bhargava / Roughly 300 years ago, after studying ancient records of eclipses, British astronomer Edmond Halley conceived of a theory that the moon was in fact physically moving away from the Earth. The moon’s recession was later confirmed in the 1970s by laser beams bouncing off mirrors placed on the moon by American and Soviet astronauts. Caused by drags in ocean tides,...
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Rodel Tapaya 羅德爾·塔帕亞
By Caroline Ha Thuc / Random Numbers, the new exhibition by Filipino artist Rodel Tapaya, depicts a chaotic, dense reality where a multitude of fragmented objects and living creatures entwine and decompose. Inspired by Filipino and Mexican mural painters, but also by surrealist artists, Tapaya draws a carnivalesque portrait of the Philippines and, beyond, of our contemporary societies driven by excesses and never-ending consumption....
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LeeLee Chan 陳麗同
By Caroline Ha Thuc / Born in 1984 in Hong Kong, LeeLee Chan is well known for sculptural installations that transform discarded mass-produced objects from daily life into hybrid and often organic forms. For Chan, there is no discontinuity between the human, natural and technological spheres; she has developed a holistic approach to the world and to society. Art allows her to connect these realms creatively, opening...
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Bruce Nauman 布魯斯·瑙曼
By Diana d’Arenberg Parmanand / This year marks the 80th birthday of American artist Bruce Nauman. Following on from a recent Tate retrospective is Presence/Absence at White Cube, the first exhibition in Hong Kong for the pioneering video artist, featuring five works: two single-channel pieces, from 1999 and 2001; and three dual-screen projections made in 2013. The artist is present in all but one...
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Andrew Luk 陸浩明 & Samuel Swope
By Brady Ng / More than a decade ago, futurists and techno-hobbyists started to pronounce with unalloyed confidence that drones would upend the way we live. Aside from widely publicised use cases for the military, law enforcement and surveillance, the proposition was that they could also provide entertainment through photography or as general playthings, while others could automate tasks for us, like robotic cleaners...
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Ng Tsz-kwan 吳子昆
A multimedia artist and designer, Ng Tsz-kwan (b.1972) proposes various and reflexive modes of artistic experience based on a poetics of language that unfolds at the borderline of performance. Ng graduated from The Chinese University of Hong Kong in 1997 with a bachelor’s degree in fine arts, and later earned his master’s at Central Saint Martins College of Art and Design in London. In 2006, he...
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Kung Chi Shing
By Aaina Bhargava / The first part of Kung Chi Shing’s haunting video City Inside a Broken Sky, Deep Night alternates black-and-white imagery of a construction site amid debris and scaffolding, the colonial-era building of the Oil Street Art Space, and a young boy. Familiar construction noises are interspersed with occasional wailing, an eerie, melancholic sound conveying despair. “Dark in every sense,” in the...
