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Vaevae Chan
by Brady NgShe Told Me to Head to the Sea @ Juen Juen Gung / Hong Kong / Ceramist Vaevae Chan has built a private cave. Located within a nondescript industrial building in Sun Po Kong, Kowloon, the space is where Chan retreated while contending with health problems, a parent’s death and upheaval in Hong Kong. Between 2018 and 2021, the artist toiled in private, turning...
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Noteworthy Shows in Hong Kong Autumn / Winter ’23 Edition
“Hong Kong is back!” seems to be the city’s official PR motto since quarantine for incoming travellers to the city was essentially abolished in October, and restrictions were dropped. If the succession of gala fundraisers and exhibition openings and the general year-end frenzy is anything to go by, the slogan applies to the city’s art scene, which seems to be overcompensating for its dearth...
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Myth Makers — Spectrosynthesis III
by Brady NgTai Kwun Contemporary / Hong Kong / Dec 24 – Apr 10, 2023 / There’s a quote that aspirational content creators like to share online: “Those who tell stories rule the world.” It’s often attributed to Plato or Aristotle, while some say it is wisdom passed down by the Hopi or Navajo Native Americans, but nobody can pin down its origins. Perhaps the line...
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Kit Armstrong
Grand Hall, Lee Shau Kee Lecture Centre / University of Hong Kong / Hong Kong / Dec 11, 2022 / Ernest Wan / For his debut recital in Hong Kong, 30-year-old pianist and composer Kit Armstrong presented a programme that, at first glance, seemed a mere attempt at maximum eclecticism, consisting as it does of music ranging from that of the Renaissance all the...
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Wing Sze Lam and Heiwa Wong
by Ophelia LaiDailyscape / 1999 Art Space / Hong Kong / Oct 8 – 30, 2022 / In Wing Sze Lam’s stars in the woods (2016) and stars in the water (2018), a pair of moving-image works, darkness descends gradually over dense foliage and docked boats until the only sources of illumination are streetlamps and passing vehicles. The camera never moves in either sequence, registering the...
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Apichatpong Weerasethakul
Six years after his first solo exhibition at Para Site, Apichatpong Weerasethakul has come back to Hong Kong to present his recent artworks at Kiang Malingue Gallery. The Thai artist and film director has played with the gallery’s unusual architecture, filling its high ceilings and empty spaces with haunting presences, widening hitherto invisible fault lines and holes from which the mind can easily flee...
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Vvzela Kook
by Christie LeePhantom Island / Oi! / Hong Kong / Sep 5 – Jan 2, 2023 / In 1851, the government used rubble left by a giant fire in Sheung Wan to extend the shoreline by 15 metres. Since then, many more reclamation projects have taken place in Hong Kong, and 20 or so islands have disappeared from the city’s map. The extension of our city...
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Wu Jiaru 吳佳儒
by Brady NgTo the Naiad’s House / Flowers Gallery / Hong Kong / Sep 29 – Nov 12 / The story of Southeast China in the 1990s is one of breakneck transformation. Cranes worked in tufts of dust, new structures climbed steel frames to scrape the sky, and opportunity was in the air. For many millions of people in Guangzhou, Shenzhen and smaller townships, the proverbial...
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Jaffa Lam 林嵐
Chasing an Elusive Nature / Axel Vervoordt Gallery / Hong Kong / 15 Oct 2022 – 7 Jan 2023 / A long piece of dark wood welcomes visitors at the entrance of the gallery. Like a totem, or the unique remnant of a larger structure, A Piece of Silence from Lying (2022) simply stands on the floor, vertically, as if abandoned. Its delicate, carved lines...
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Hong Kong Philharmonic Orchestra
Concert Hall, Hong Kong Cultural Centre / Hong Kong / Jun 11, 2022 / Ernest Wan / In the programme of the Hong Kong Philharmonic Orchestra’s César Franck at 200 concert, it is baffling to see, amid a pair of works by the French composer born two centuries ago in what is today Belgium, the utterly irrelevant Viola Concerto by the Hungarian Béla Bartók....