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Sara Tse
Re Visit Tai Kwun Hong Kong Jun 8 – Jul 8 Christine Chan Chiu Touch Ceramics, in Hong Kong’s newest centre for heritage and arts, Tai Kwun, kicked off with an inaugural show of Sara Tse’s newest works. An artist long fascinated by the transience of time and the impermanence of life, Tse is known as much for her tactile abilities in modelling and...
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Backstage
By Ernest Wan All eyes in Hong Kong’s performing-arts world are currently on the Xiqu Centre in the West Kowloon Cultural District, which is slated to open at the end of this year. The building is officially described as “a centre for the production, education and research” of xiqu, the Putonghua word for what has conventionally and conveniently been known as “Chinese opera”. Accordingly,...
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Chris Huen Sin Kan
By Elliat Albrecht As a painter and in person, Chris Huen Sin Kan is far beyond his years. His intuitive paintings look less like those of a 27-year-old and more like those of an artist who’s had several decades to hone his visual language, arriving at a mature and idiosyncratic style of painting. Born and raised in Hong Kong, Huen has been drawing since...
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Tai Kwun
By Elliat Albrecht Hong Kong has a soft spot for crime and police stories. Films about gangs, double agents and bloody conflicts have long been a mainstay of local cinema. There is an underlying psychological reason: a surge of public interest in the genre occurred in the 1980s, coinciding with the UK and China’s negotiations over the 1997 handover. Amid anxiety about the political...
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Sarah Morris
By Nooshfar Afnan The Importance of Conversation Conversations and research form the bedrock of Sarah Morris’s artistic practice. The artist conceives most of her creative ideas through conversations, followed by research to give shape to those thoughts, and then even more conversations to realise a work. These conversations involve fellow artists, curators and potential film subjects. But the spark for new ideas for artistic projects...
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Leung Chi Wo
By Caroline Ha Thuc there and thenness “Is History not simply that time when we were not born?” asks Roland Barthes, while looking at a photograph of his mother as a child, in his book Camera Lucida. Leung Chi Wo’s process is all too Barthesian: born in 1968, he focuses here on 1967, the year when the most violent riots in the post-Second World...
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Wolfgang Tillmans
By Diana d’Arenberg Parmanand Although his photographs had graced the pages of magazines like iD and Interview magazine, for a couple of decades it was at nightclub Berghain’s Panorama Bar in Berlin that the work of Wolfgang Tillmans really seared itself on my mind. The work in question, Phillip III (1993), depicted a man exposing his anus with his hand. The Panorama Bar, known for its...
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After the Deluge
A site-specific project by Kingsley Ng and Stephanie Cheung. By Tessa Moldan. Standing in the dark belly of Hong Kong’s oldest floodwater storage tank is without doubt one of the more powerful ways in which to contemplate the impact of rapid development on the city. Such was the experience granted by Kingsley Ng’s site-specific project after the deluge (January 1–31, 2018) in Sham Shui...
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Toshio Matsumoto
Everything Visible is Empty Empty Gallery Hong Kong Sep 9 – Nov 18, 2017 Katherine Volk Visitors to the new Toshio Matsumoto (1932-2017) show at Empty Gallery were immersed in the artist’s experimental visuals as soon as the elevator doors to the gallery opened. Pulsating, coloured waves radiated from a central void and filled the opposite wall, while the entrance space was filled with cosmic sounds. White...
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Crossing Hong Kong’s Harbour
By John Batten The very first art objects mass-exported from China to buyers in Europe, Asia and the Ottoman Empire were designed-to-order, ceramic and porcelain chinoiserie items, often purely utilitarian: crockery dinner sets, jars and storage urns. In the 18th century worldwide trade expanded due to growing demand, sturdier ships and established trading routes. Canton, as Guangzhou was then known, was China’s only port open for...
