-
Tobe Kan Kiu Sin 簡喬倩
By John Batten / Tobe Kan Kiu Sin graduated from the Hong Kong Art School/RMIT University with a fine arts degree in 2017. It was a fortuitous education: she had previously applied to but was not accepted into Hong Kong’s two other established fine arts undergraduate programmes, at The Chinese University of Hong Kong and Hong Kong Baptist University’s Academy of Visual Arts. Undoubtedly,...
Comments 0 -
Lo Lai Lai Natalie 勞麗麗
By Christie Lee / For city-dwellers, it’s easy to romanticise nature. William Wordsworth, who witnessed how the industrial revolution transformed London in the 19th century, for example, wrote such evocative lines as “nature never did betray the heart that loved her”. Three centuries later, Lo Lai Lai Natalie has made rumination on nature a crucial part of her art. But unlike the English poet, she doesn’t romanticise it....
-
Chris Huen Sin Kan 禤善勤
Puzzled Daydreams / Simon Lee Gallery / London / Jun 15 – Jul 3 / Margot Mottaz / The irony isn’t lost on me that as I emerged from lockdown and into central London for the first time in months, I stepped right into the home of a stranger, albeit through a series of works on paper and large-scale canvasses by artist Chris Huen Sin...
-
Garden of Six Seasons 一園六季
By Brady Ng / Around the world, many public gardens, especially those normally maintained to symmetrical and groomed perfection, have been left untended during citywide lockdowns or movement control orders. In Paris, a friend walked by the Jardin de la Nouvelle-France, peered inside, and called it a “little jungle”. This wildness without wilderness is the consequence of eight weeks of precautionary restrictions. When people cannot visit...
-
Hong Kong – Tales of the City
Denny Dimin Gallery & Videotage / New York / Mar 13 – May 2, 2020 / Mimi Wong / Even before the pandemic struck, the dystopian visions and reimagined histories presented in Hong Kong – Tales of the City felt extremely relevant and timely. Media works from nine artists belonging to Hong Kong’s oldest video collective address a range of vital issues, from civic engagement...
-
Andreas Mühe 安德里亚斯·穆埃
Pathos as Distance / By Diana d’Arenberg Parmanand / Shown at Whitestone Gallery in Hong Kong, Pathos as Distance by Andreas Mühe is a survey of the artist’s work, comprising 30 photographs taken from 2004 to 2018. The East German-born photographer, who grew up in the last decade of the Cold War in a still divided Germany, creates images that portray the present through...
-
Pathway into Film
14th Fresh Wave International Short Film Festival / By Karen Chu / Despite the desire to return to normality, the world has changed, perhaps irreversibly, since the outbreak of the global Covid-19 pandemic. In Hong Kong, effects of the outbreak as well as 12 months of social turmoil are evident in every aspect of society, and the city is bracing itself for the political...
-
Jeffrey Shaw 邵志飛
WYSIWYG / By Brady Ng / Sometimes, art can leave its viewers scratching their heads. Much of it is staged to be seen from a distance in sanitised rooms, short pieces of text pasted beside it lazily flicking at pre-verbal notions. You might not engage with these objects beyond mental acrobatics or passive sensations. What you see or feel is often exactly what you...
-
Gordon Cheung
Tears of Paradise / Edel Assanti / London / Jan 17 – Mar 18, 2020 / Margot Mottaz / Geopolitics. If a single word summarises the theme of Gordon Cheung’s latest series of works (all 2020) on display at Edel Assanti in London, that would be it. In the single-room exhibition Tears of Paradise, a large hanging installation and five equally sized paintings-cum-collages confront us...
-
Kong Chun Hei
Raise the Dimness / TKG+ Projects / Taipei / Feb 15 – Apr 12, 2020 / Brian Hioe / Kong Chun Hei’s solo exhibition at TKG+, Raise the Dimness, stands out for its adaptive use of space and effective creation of tension between works. Thenine works which comprise the exhibition prove highly complementary, echoing similar concerns also seen in other works by Kong. Non-stop Stop (2019), a...
