-
Video, Sofa, Bauhinia – Retrospective and Reconstruction of Ellen Pau
By Leung Po Shan / “They said There’s nothing special about an onion It deserves all criticisms Despite an earthy costume Its name doesn’t inspire trust Its nature is not agreeable. Peel off layer after layer, there is nothing inside that can be called sophistication! How formalistic!” (Yasi: Extract from “Onion”) What About Home Affairs?, the title of Para Site’s retrospective of Ellen Pau,...
Comments 0 -
McArthur Binion
Hand: Work: II / Lehmann Maupin and Massimo de Carlo / Hong Kong / May 22 – July 6 / Diana d’Arenberg Parmanand / After decades of being overlooked, 73-year-old American artist McArthur Binion is having a moment. With a spate of recent exhibitions, notably his inclusion in the 2017 Venice Biennale Viva Arte Viva and a 2018 solo exhibition at the Cranbrook Art Museum in Detroit, this...
-
Chen Danqing
By Diana d’Arenberg Parmanand / Shanghai-born artist Chen Danqing was only 14 when he started painting Mao propaganda posters in the 1970s. “I painted more than 100 portraits of Chairman Mao on the street walls in Shanghai and its suburbs and also on factory iron sheets,” he says. “During that time, there were millions of amateur and professional painters in China who painted millions...
-
Free to Express – Fresh Wave International Short Film Festival
By Karen Chu / The impact of dementia on a family; a straight-A student’s struggle with a speech impediment; kintsugi, the ancient Japanese art of repairing ceramics; premature ejaculation; prostitutes, rappers and farmer-robbers – the 2019 edition of the Fresh Wave International Short Film Festival is a kaleidoscope of youthful creativity. Alongside an international selection, a Japanese and Taiwanese talent showcase and the opening gala...
-
Power and Perspective: Charles Esche
By Remo Notarianni / If every picture tells a story, then like the picture, that story has a perspective. According to art writer, curator and museum director Charles Esche, the story of art in Asia has been told, over time, from countless perspectives by writers from around the world, in what he sees as a journey towards greater understanding. “It was still not that long...
-
Women in Art: Hong Kong
Au Hoi Lam, Fang Zhaoling, Jaffa Lam, Ko Sin Tung, Man Fung-yi, Mediha Ting, Choi Yan Chi / By Seth O’Farrell / As I walked down the corridor of Murray Edwards College, Cambridge at the new exhibition Women in Art: Hong Kong, the words of writer Eileen Chang came to mind: “Between memory and reality there are awkward discrepancies, producing a solemn but subtle...
-
The WMA Commission Recipient Natalie Lo: Ecology is full of self-contradictions
By Fizen Yuen / The WYNG Media Award (WMA) is a series of non-profit making programmes developed to inspire public participation and promote awareness and discussion of social issues in Hong Kong through photography and visual arts. The theme this year is Opportunity, and the WMA Commission selected Natalie Lo Lai Lai as a recipient, commissioning her project The Days Before Silent Spring. On a...
-
Isaac Chong Wai
By Caroline Ha Thuc / A multimedia artist known for his performances in public spaces, Isaac Chong Wai (b.1990) explores the relativity and ambiguities of our collective norms and values, inviting us to rethink our experiences of daily life and our physical presence within society. As he exhibits a soft wall unable to stand by itself, a boat made with fences that takes on...
-
Performing Society: The Violence of Gender
By Christie Lee / Half-used paint. Paint-streaked trainers. Crinkly plastic drop cloth. Three panels in shades of pink and orangey-red. A scene of unfinished business. But there is also a palpable sense of energy to it. On the wall opposite, an oil painting depicts a row of female nudes ascending the stairs, their bodies half-translucent, their flesh cutting into each other, giving a sense...
-
Atlas 4013
By Gerhard Bruyns / Cities are constructions. They consist of streets, lanes and alleys. Walls, windows, ceilings and a succession of doorways. Buildings, loose structures, canopies and streets. Trees, shrubs, bushes and garden pockets. In a variety of combinations and orders, the binding together of any of these elements crystallise other formations: spatial complexes and neighbourhoods, articulating cultural burrows and areas of affluence. In its totality it represents...
