All posts tagged: Su Yu-Xin

Michael Ho, Chris Huen Sin Kan, Timothy Lai, Su Yu-Xin

Inside the White Cube: New Moroism / White Cube / Hong Kong / May 31 – Sep 9, 2023 / By Christina Ko / Blurred lines are very much the theme at White Cube’s summer exhibition, Inside the White Cube: New Moroism. In the literal sense, it refers to the Moroism movement, which emerged in Japan in the 19th century and saw stark outlines replaced by vague or hazy delineations of spatial boundaries. In a more abstract sense, these blurred lines are cultural ones: the four artists contributing to the show are of Asian descent, but no longer live or have never lived in their respective ethnic homelands, and pay homage to their heritage through their work. As such, the painting-dominant show is both romantic and restrained, filled with imagination and longing through an exploration of the concept of home, as embodied in each artist’s practice. The gallery’s lower floor features three works by London-based Michael Ho, who was raised in a small town in the Netherlands, a so-called third-culture kid whose childhood was and …

New Moroism at White Cube Hong Kong 

Inside the White Cube: New Moroism /May 31 – 9 Sep, 2023 / White Cube Hong Kong /50 Connaught Road, Central /Hong Kong /+852 2592 2000 /Tuesday – Saturday, 11am – 7pm / whitecube.com White Cube Hong Kong is pleased to present New Moroism, a group exhibition which brings together four artists who seek to expand the parameters and ideation of figuration in painting. Part of an emerging generation of artists whose roots are in Asia, Michael Ho, Chris Huen Sin Kan, Timothy Lai and Su Yu-Xin reflect a new approach and sensibility, responsive to trans-regional shifts and migration. Embracing the concept of ambiguity within their paintings, the artists each explore Moroism, an aesthetic paradigm which is derived from the ‘mōrōtai’ style (mōrō literally translated as ‘vague’ or ‘indistinct’) that emerged in Japan of the late Meiji era (1868–1912), also found as a pictorial intention originating in traditional Chinese painting theory.  Determined by the artists’ shared East Asian heritage, the works in this exhibition are grounded in personal narrative.  Chris Huen Sin Kan’s large-scale oil paintings feature a recurring cast of characters including his wife, son, daughter and dogs. …