All posts tagged: Berkeley Art Museum

Sin Wai Kin 單慧乾

The Story Changing / Matrix 284 Gallery, Berkeley Art Museum / Berkeley, California / Dec 13, 2023 – Mar 10, 2024 / DeWitt Cheng / The Story Changing, the first US museum show by Sin Wai Kin, the Canadian-born, London-based performance artist turned filmmaker, consists of two videos in a small exhibit in the Matrix 284 Gallery and the adjoining hallway at California’s Berkeley Art Museum. The title evokes the postmodernist artist’s concerns with narrative and language in the formation of identity, which they consider to be fluid and culturally determined rather than innate; it is also self-determined and performative, in line with the queer-scene drag shows that fascinated Sin—a recent nominee for the Turner Prize—as a young art student in London in 2009. “I think drag is like a magnifying glass,” they say. “To make something more extreme is to look at it more closely.” The curator, Victoria Sung, interviewing Sin, adds, “Language is such a powerful tool in terms of how it constructs our worlds, but also how it can constrict our worlds.” …

Wesley Tongson 唐家偉

Spiritual Mountains: The Art of Wesley Tongson 靈山:唐家偉的藝術世界 / Berkeley Art Museum 美國柏克萊大學藝術博物館 / Jan 12–Jun 12, 2022 2022年1月12日至6月12日 / DeWitt Cheng / Originality is the tacitly assumed essence and sine qua non of creative art. Young artists in the ultra-individualistic US sometimes avoid looking at older artists’ work for fear of being influenced or contaminated – to their detriment. Artists of the past learned from the masters by copying and assimilating. Arshile Gorky famously copied Picasso (“If he drips, I drip”), himself an omnivorous eye; and Ben Shahn praised the artists of the past as friendly ghosts, not obstacles or enemies. Creative talent may be inherent but it has to be developed. Postmodernist theory has added to the confusion in recent decades. The deaths of the author or artist and of individuality itself have been widely accepted in academia. Jorge Luis Borges parodied the death of originality in his prescient 1939 pseudo-article considering the literary achievement of “Pierre Menard, Author of Don Quixote”. “His admirable ambition,” wrote Borges, “was to produce pages which would …