All posts tagged: ceramics

Sebastian Stöhrer / Caroline Chiu Studio, Hong Kong

March 23 – 29, 2019 Opening: Saturday, March 23, 2 – 6.30pm Artist Talk with Ilaria Maria Sala: March 23, 4 – 5pm  South Island Art Day: March 29, 10am – 6pmArtist Talk: 29 March, 5 – 6pm  Caroline Chiu Studio, in collaboration with Carl Freedman Gallery, is proud to present an exhibition of new sculptures by German artist Sebastian Stöhrer. The exhibition features 15 works inspired by the artist’s 2017 Travel Residency in China (sponsored by Caroline Chiu Studio), which included glaze research and site visits in Jingdezhen, Shanghai and Hong Kong. Many of the works are inspired by ancient Chinese masterpieces, traditions and discoveries that the artist made on his travels.   Stöhrer’s quirky, colourful vessels take on various shapes and sizes, and are united by a fluidity that defies their weight. The application and balance of colour are central to the artist’s creative process. Stöhrer has created and continues to perfect his own personal alchemy of glazing. His hand, chemistry and kiln come together and hatch beautifully balanced, vibrant, unique sculptures with their own …

Sebastian Stöhrer / Caroline Chiu Studio, Hong Kong

March 23 – 29, 2019 Opening: Saturday, March 23, 2 – 6.30pm Artist Talk with Ilaria Maria Sala: March 23, 4 – 5pm  South Island Art Day: March 29, 10am – 6pmArtist Talk: 29 March, 5 – 6pm  Caroline Chiu Studio, in collaboration with Carl Freedman Gallery, is proud to present an exhibition of new sculptures by German artist Sebastian Stöhrer. The exhibition features 15 works inspired by the artist’s 2017 Travel Residency in China, which included glaze research and site visits in Jingdezhen, Shanghai and Hong Kong. Many of the works are inspired by ancient Chinese masterpieces, traditions and discoveries that the artist made on his travels.   Stöhrer’s quirky, colourful vessels take on various shapes and sizes, and are united by a fluidity that defies their weight. The application and balance of colour are central to the artist’s creative process. Stöhrer has created and continues to perfect his own personal alchemy of glazing. His hand, chemistry and kiln come together and hatch beautifully balanced, vibrant, unique sculptures with their own innate personas. Many of these new …

Sara Tse

Re Visit  Tai Kwun Hong Kong Jun 8 – Jul 8 Christine Chan Chiu Touch Ceramics, in Hong Kong’s newest centre for heritage and arts, Tai Kwun, kicked off with an inaugural show of Sara Tse’s newest works. An artist long fascinated by the transience of time and the impermanence of life, Tse is known as much for her tactile abilities in modelling and manipulating clay as for the sentimental content of her pieces. The exhibition was not only a tribute to technique and craftsmanship but also a timely throwback to things past. Tse discovered her signature method by chance, when the cloth used to clean her ceramic work table had hardened along with the clay. Experimenting by heating up the cloth, she discovered that while the cloth itself had been incinerated, what remained after the process was the exact replica of the cloth, but in porcelain, creating something that will last forever. Tse applies this method faithfully to her latest works, where she has turned her attention to cartography to highlight how Hong Kong …

Annie Wan

By Katherine Volk  Hong Kong artist Annie Wan is known for her conceptual approach to ceramics and moulding. Her exhibition Zan Baak Fo, part of the Jockey Club New Arts Power programme, and an extension of her 11th Gwangju Biennale presentation Everyday a Rainbow (2016), took place across two Hong Kong locations: a grocery store in Ping Shek Estate, Choi Hung and an old art gallery in Sheung Wan. In Choi Hung Wan displayed the ceramics alongside real supermarket items, while in Sheung Wan they were on clean shelves in a white-walled gallery. The two contrasting venues played with the idea of the value of art, with pieces sold in both locations at the price of the original moulded item. The title of the exhibition comes from the Cantonese phoneme zan, which can mean both precious and authentic. Wan’s work has been acquired by private collectors and institutions including the Hong Kong Heritage Museum, Hong Kong Museum of Art, the Burger Collection and the UK’s University of Salford Art Collection. She has had residencies in …