All posts tagged: Chen Wei

David Zwirner presents Brilliant City

6 July – 4 August 2018 Opening reception: Friday, 6 July, 6 – 8pm David Zwirner is pleased to present Brilliant City, a group exhibition organized by Leo Xu at the gallery’s Hong Kong location featuring work by Francis Alÿs, Chen Wei, Stan Douglas, Li Qing, Michael Lin, Gordon Matta-Clark, and Ming Wong. The exhibition borrows its title from the lyrics of the 1987 Cantopop classic song “Starry Night,” in which the Hong Kong–based electro duo Tat Ming Pair illustrate the perplexing brilliance of the city’s landscape at night, and the feeling of loss and doubt that it harbors amongst its youth. Drawing inspiration from Hong Kong, an archetypal dystopian metropolis characterized by its unparalleled density and lofty high rises, this exhibition explores how artists across generations and locations have engaged with the complexity of urban space. 5-6/F, H Queen’s 80 Queen’s Road, Central T (852) 2119 5900 Email Tu-Sa 11am – 7pm Image: Iron Sheet by Chen Wei, Archival inkjet print, framed, 150 × 187.5 cm print, 154 × 191.5 cm framed, 2015.

Chen Tianzhuo, Chen Wei, Double Fly Art Center, Hu Weiyi, Lu Yang, Sun Xun, Carla Chan, Chris Cheung, Tang Kwok-hin, Morgan Wong

#You #Me #OurSELFIES  Hong Kong Visual Arts Centre Hong Kong Jan 6 – 22, 2018 Valencia Tong The hashtag has changed the way we communicate in the digital age. In the exhibition One World Exposition 2.2: #YOU#ME#ourSELFIES at Hong Kong Visual Arts Centre, artists from mainland China and Hong Kong born in the 1980s and 90s show us how the language of technology, the internet and social media infiltrates the aesthetics of art. The title suggests a radical change in how art is experienced, especially by the millennial generation. Gone are the days when security guards in museums yelled “No photos”; instead, audience members are now encouraged to document their participation and interaction with the art works by generating content themselves, usually in the form of a selfie on social media, democratising the consumption of art across time and space. The exhibition showcases how media art can engage with contemporary issues through a selection of multidisciplinary works. Hu Weiyi’s The Raver compares our consumption and production of information to being strapped to electric chairs used during executions. We are forced to react incoherently to the bombardment of images, sounds and …