We used to be more sensitive /Hara Museum / Tokyo / Sep 16 – Dec 24, 2018 / John Batten / Lee Kit’s exhibition occupies, as a single installation, the entire Hara Museum of Contemporary Art, an adapted modernist 1930s former residential building surrounded on two sides by a Japanese garden with an open lawn at the rear. Selections from the museum’s permanent contemporary sculpture collection are shown outside, and permanent installations are also displayed within the museum. It is necessary to appreciate the architecture, the architectural detailing – particularly the windows – and the other art and areas of the museum, including the shop and cafe, to fully appreciate Lee’s exhibition.  Rather than ignoring or competing with the museum’s architecture and its installed art, Lee actively embraces the museum, and both strategically and subtly places his own paintings, videos and installations within it. Lee’s entire installation beckons to be quietly looked at, but it also works if viewers quickly pace through the galleries, ideally accompanied by their own (loud) ear-plugged music, passing through the museum’s natural light, shadows and reflections layered by Lee’s added …