All posts tagged: The Hong Kong Polytechnic University

Atlas 4013

By Gerhard Bruyns / Cities are constructions. They consist of streets, lanes and alleys. Walls, windows, ceilings and a succession of doorways. Buildings, loose structures, canopies and streets. Trees, shrubs, bushes and garden pockets. In a variety of combinations and orders, the binding together of any of these elements crystallise other formations: spatial complexes and neighbourhoods, articulating cultural burrows and areas of affluence. In its totality it represents a body of material that formulates an urban environment, living and non-living, operating through natural and human processes.  However, for most of us who live in the city, we form an association through our ways of existence, in how we engage with the material world, with the buildings, structures and gardens. We build memories, link important moments to places we have seen, and savour the places we knew while becoming adults. From anthropologist Gregory Bateson’s (1904-80) perspective, this in itself represents specific Steps to an Ecology of Mind (1972), a way of thinking about the world we know and experience. Irrespective of what the actual artefact is or how that object is woven into our existence, our …

A portrait of the artist as an emergency

In January 2016 Patrick Healy, Amsterdam based philosopher and artist, was invited by the School of Design [The Hong Kong Polytechnic University], to conduct a series of PhD and research seminars. With Patrick in Hong Kong for 3 weeks, and knowing him for a number of years, it provided us an ideal opportunity to – not only – reminisce about old times but use the lunch time discussion to understand how his philosophical position, artistic research and personal interest intersect. The following discussion was the result of this discussion exposing the man behind the philosopher in the process of becoming himself. By Gerhard Bruyns Artomity: You’re a philosopher, performance artist, painter, sculptor, educator and writer. When and how did you get the idea of combining art and philosophy? Patrick Healy: Well, during my studies of philosophy – at almost the very end of my formal studies – we started reading Nietzsche. In itself that was considered very daring because my teachers mostly specialised in metaphysics and medieval and ancient philosophy. So it was almost like …