All posts tagged: tin drum

Haim Steinbach

tin drum / White Cube / Hong Kong /Sep 14 – Nov 12, 2022 / Four horizontal display shelves line the exhibition walls of White Cube’s ground floor gallery. The open shelves are lined with groupings of objects – rubber dog chew toys, robots, spaceships and monsters, metal Star Wars lunch boxes. The display is reminiscent of a child’s bedroom, with cherished objects lined up on shelves in a way that may be cryptic to an outsider but hold personal meaning to the child. Angular and wedge-shaped, the shelves and the objects are all in a palette of black and red, sitting in stark contrast against the white walls. Two geometric, black and red toy cars sit beside a snowman-shaped black dog chew toy atop a red and black shelf. The work, El Lissitzky II-4 (2008-2012), references the Russian artist who cofounded the suprematism movement. Allusions to the Russian constructivist movement are echoed throughout the four shelf arrangements, creating a formal visual cohesion.  ‘tin drum’ – named after a 2011 work, tin drum, in the exhibition, …

Haim Steinbach at White Cube Hong Kong

Haim Steinbachtin drumSep 14 – Nov 12, 2022 White Cube Hong Kong50 Connaught Road, Central Hong Kong+852 2592 2000Tuesday – Saturday, 11am – 7pm whitecube.com White Cube is pleased to present ‘tin drum’, an exhibition of new and recent work by Haim Steinbach. Featuring works made in the past two decades, the selection reflects the artist’s engagement with the everyday object and the aesthetic and cultural implications of methods of selection and display. Since the mid 1970s, Steinbach has made structures and devices for presenting various found objects, in particular employing a wedge-shaped shelf based on 40, 50 and 90 degree angles, constructed in several parts and finished with a coloured, plastic laminate. Working within the methodologies of presentation rather than representation, his art sets in train a nexus of associations, enabling multiple potential themes to emerge from the arrangement of these common objects. ‘I [see] my works as an engagement with the here and now, with the archaeology of what exists and what we all participate in,’ Steinbach states. In the ground floor gallery, a group of …