Leung Chi Wo 梁志和
For Leung Chi Wo, to make sense of the present is to rediscover the past. Born in Hong Kong in 1968, a turning point during the city’s colonial period, after large-scale riots broke out the year before, the artist has always been fascinated by the development of its sociopolitical framework. He has spent more than two decades, both individually and with long-term collaborator Sara Wong, exploring the complex relationship between then and now, uncovering hidden narratives from the past and recontextualising them with alternative understandings of subjectivity. Also central to Leung’s practice are notions of time and perception, navigated through the power of photography and deconstruction of memories. Exhibited extensively across the world, Leung’s work ranges from photography and video to text, performance and site-specific installation. From September to December, Wong and Leung are undertaking a residency with the Delfina Foundation in London to continue developing their ongoing project Museum of the Lost. A collection of images from newspapers, magazines, brochures and other publications dating from the 1930s onwards, the project foregrounds anonymous people who …