All posts tagged: Wong Ka Ying

Resonance Islands – Linkshouse Orkney Arts Residency 島島共鳴 – 藝術家駐留有感

By Wong Ka Ying / There is an ancient saying on the Orkney Islands: “If you scratch the surface in Orkney, it will bleed archaeology.” This group of about 70 small islands is slightly smaller than Hong Kong but home to only 20,000 people. Despite its small size, Orkney has long produced artists and attracted creatives from elsewhere to its shores. In 1979, a modest yet significant art gallery was established, the Pier Arts Centre, in Stromness, Orkney’s second-largest town. Scotland’s northernmost art gallery, it’s a sea away from the Svalbard Museum in Norway, the world’s northernmost museum. The gallery was not created by wealthy elites or set up by the government but by Margaret Gardiner, an anti-fascist, anti-Vietnam War pacifist and writer, alongside her artist friends. Gardiner descended from a prominent family – her father was an Egyptologist involved in the discovery of Tutankhamun’s tomb. After graduating from Cambridge University, she briefly worked as a teacher and then, from the early 1930s onwards, devoted herself to social activism. She was also a major supporter of the artists …

Various artists

Yummy Gummy / Eaton / Hong Kong / Aug 23 – Sep 1 / Ellen Wong / Yummy Gummy, curated by Wong Ka Ying, was the most eclectic of the programmes and activities dedicated to celebrating women in this year’s lineup at Women’s Festival Hong Kong. For starters, Ho Sin Tung’s I’ve often sailed in her (2019) could be seen in the lift – not the ideal place spacially to display the piece, but one that attracteda larger crowd than would normally attend a gallery exhibition thanks to its location in the Eaton Hotel. The way in which the curator, the Eaton Hotel team and the artists worked together to appeal to a wider crowd is valuable for future reference. Alysa Chan’s Just cut it! (2019) outside the exhibition venue within the hotel was a companion piece to Sadako’s My Personal Feelings (2016-2019) inside the venue. Both used techniques superficially associated with mass media to raise issues related to minorities, and both were somewhat straightforward in their approaches. Chan’s work questioned the relationship between hair length and impressions of primness through the poster format, …