All posts tagged: Ysabelle Cheung

Event Scores by Artists-Parents 事件譜之又係藝術家又係阿爸阿媽

Published by Rooftop Institute 出版社:天台塾 /Ysabelle Cheung / There is a backwater thought that once an artist (usually female, according to patriarchal hierarchies) bears children, they become somewhat infertile in their creative practices. “After I gave birth, some people apparently thought that I had retired to take care of my child,” Wong Wai Yin once stated in an article. In truth, she had only taken a five-year hiatus from traditional exhibition-making. Then, in 2016, she produced Without Trying, a monumental solo exhibition at Spring Workshop that revealed her engagements in entirely new creative practices as a result of motherhood: learning French, dog training, spiritual response therapy and playing the ukulele. This peeling away from the art world circuit and its capitalist expectations can be liberating, a fact that Wong and 48 other Hong Kong-based artist-parents reveal in Event Scores by Artists-Parents. Published by Rooftop Institute and grouped into six chapters, the contributions document in writing and photographs the co-learning experiences that occur daily between artists and their children, reframed playfully as highly experimental “event scores” or “instructional …

Library 圖書館

By Chihoi 智海 /Published by nos:books, 2019 出版社:nos:books,2019年 /Ysabelle Cheung The day I visited Chihoi’s exhibition at ACO Art Space in Wanchai, it was strangely quiet. Both the security guard and docent were absent; I stood alone with the drawings and comic panels, which were pinned to soft fabric boards in pastel hues. After a while, a woman arrived and asked if I wanted to visit “the reading room” for a fee of HK$10. I agreed and was handed a key, which unlocked a small closet near the entrance. Inside I found a small school desk, a vintage lamp and a chair. There was a womb-like, conspirational feeling to the cabinet, augmented by the room’s central object: an unpublished, hidden chapter from Chihoi’s latest book, Library. Chihoi, a Hong Kong-born artist, has been publishing fictional comics since 1996. Rendering his figures and landscapes in soft graphite tones – blacks rubbed silver from shading, the pages suffused with a sooty pallor – he has often referenced literature in his work, from his debut book, The Writer (1997), about a …

Ellen Pau

The Life of an Image / By Ysabelle Cheung / “I’m trying to make poetry, not a film,” Ellen Pau said to me, somewhat enigmatically, during the opening hour of her latest solo show. For the previous 20 minutes she had been describing, in elliptical phrases and brief anecdotal vignettes, the processes of her three-decade investigations into varied media. Yet walking around the darkened, hermetic space of Edouard Malingue Gallery, which featured early and new works clustered around the restaged focal piece Great Movement (1996/2019), I found I had more questions. The slow, creeping organ notes emanating from the speakers: had I heard them before? Where were the faceless figures that were being shown on the thermal video screen? And what was that unidentifiable aroma permeating the room? Pau’s work and practice have always been somewhat ambiguous, but she places the responsibility on the viewer to understand the implications of this ambiguity. In most if not all of her works, there are layered, buried double meanings, framed by her explorations into metaphors around the body and technology and, more recently, our psychological, …