All posts tagged: Liao Jiaming

Liao Jiaming 廖家明

Melting Suns on the Screen /DE SARTHE Gallery /Hong Kong /Aug 31 – Sept 28, 2024 / As a preamble to his exhibition Melting Suns on the Screen, Liao Jiaming set up The Arcana Intelligent (2023), an interactive installation meant to simulate interactions with a sacred digital entity. Participants visiting de Sarthe Gallery sat or knelt on a cushion placed on the gallery’s floor, looking up at a nude, seemingly genderless avatar. Its barrel chest and awkwardly outstretched arms gave it an inhuman quality. Behind it was a vast vista of urban towers – blocky, dense, unclear whether they were part of an idealised, futuristic cityscape or a place at the end of civilisation. The avatar and participant spoke to one another, their brief interactions culminating in a question posed by the visitor, the bigger the better. Silicon and software cogitations would yield an oracular response in the form of a dynamically generated tarot card. Do this on the right day and someone, such as artist Amy Tong, was present to decipher the image and …

cucurrucucu (咕咕), Starry Kong, Liao Jiaming 廖家明

Reality Overdose / RNH Space / Hong Kong / Sep 25 – Dec 12, 2021 / Wearing a silicone body suit with a muscular physique featuring six pack abs, and a mask with a bright red lipstick stain, artist Liao Jiaming caused quite a stir with his performance Repetition Maximum (2021), walking down a street in Sham Shui Po surrounded by an entourage. Connecting his two recent exhibitions, Liao guided viewers from Too Good to be True at public space the Jockey Club Creative Arts Centre to the intimate setting of RNH space and the opening of his exhibition Till Love Do Us Apart, as well as the third and final part of RNH Space’s exhibition series Reality Overdose, a collaboration with the Hong Kong International Photo Festival curated by the space’s founder Yang Jiang. All three exhibitions were concerned with photography as a medium, and in particular the way it impacts contemporary culture. From collage to digital manipulation to the value society places on images, all the shows – including the first two iterations of Reality Overdose, cucurrucucu’s Waste …