By Michele Chan Opening with the starkest, barest of scenes – “A country. A tree. Evening.” – Samuel Beckett’s Waiting for Godot sends viewers on a reflexive rummage for revelation and meaning. There is an analogous barren yet expectant vacuity in the closing exhibition at things that can happen in Sham Shui Po: the door opens onto an empty Hong Kong apartment, its walls painted deep grey, and the eye falls on a sole painting hung near the far right corner in which Dumbo, wraith-like and ethereal in orange pastel hues, hovers mid-flight against a background of electric yellow. The only other work in the room, displayed on the wall opposite, is the diptych He-Man & She-Ra (2015), two garish superhero murals executed in the shabby vintage style signature to Hong Kong artist Law Man Lok, aka Lawman. A sense of stagnant expectation pervades, Beckettian with a whimsical twist: He-Man and She-Ra are frozen mid-transformation; Dumbo is trying to fly; and Things’ two-year-old space in Sham Shui Po is set to close, while its founders, artist Lee Kit …