All posts tagged: UCCA

A hollow in a world too full—Cao Fei solo at Tai Kwun Contemporary

Cao Fei 曹斐 A hollow in a world too full 在過滿的世界挖一個洞 Tai Kwun Contemporary 大館當代美術館 10 Hollywood Road, Central, Hong Kong 香港中環荷李活道10號 8 Sep – 9 Dec 2018 Presented by UCCA尤倫斯當代藝術中心呈獻 Curated by: Philip Tinari in association with Xue Tan 策展人 : 田霏宇 (譚雪聯同籌劃) Cao Fei is among the most internationally renowned artists of her generation. Her first major solo exhibition in Hong Kong centres around the newly commissioned work Prison Architect. Comprised of a film, installations, and sculptures, the work subtly spreads throughout the three floors of Tai Kwun Contemporary’s exhibition spaces. Inspired by the sombre historical material of Victoria Prison and shot with downtown Central as backdrop, the new work conceives of a scenario where “an architect hesitantly accepts an invitation to design a prison”. In the film, the two protagonists each entertain imaginations and personal experiences of imprisonment in two parallel realities (one of the present day and the other of an ambiguous past). This cross-temporal-spatial dialogue reflects the artist’s contemplations on our relationship with the world. Apart from this ambitious film installation, the exhibition also showcases …

Sarah Morris

By Nooshfar Afnan The Importance of Conversation Conversations and research form the bedrock of Sarah Morris’s artistic practice. The artist conceives most of her creative ideas through conversations, followed by research to give shape to those thoughts, and then even more conversations to realise a work. These conversations involve fellow artists, curators and potential film subjects. But the spark for new ideas for artistic projects most regularly comes from conversations with the group of culturally diverse young professional studio assistants from a variety of disciplines that she surrounds herself with. The New York-based artist was in Beijing in March for the opening of her solo show at the Ullens Center for Contemporary Art, Sarah Morris: Odysseus Factor. Resembling a mid-career retrospective, it is one of her biggest shows to date. It also marks a decade since Morris came to China to shoot her film Beijing (2008) about the Olympics. Ten years is also the amount of time it took Odysseus to sail home to Ithaca and the duration of the Trojan war, hence the show’s title.  Morris is busy …

Nadim Abbas

New Directions By Nooshfar Afnan New Directions: Nadim Abbas, the artist’s first solo show in mainland China, at the Ullens Center for Contemporary Art in Beijing, consists of a single, new work, The Last Vehicle (2016). Curated by Guo Xi, it combines a mixed-media installation with a durational performance, the latter a first for the artist, who recently returned from a year exploring physical theatre in New York. The name The Last Vehicle comes from Abbas’s reading of Paul Virilio’s essay of the same name.  The French philosopher’s main concern is how technology and the acceleration it causes have altered our perception and experience of the world. “More specifically, the title The Last Vehicle, the way I would read it in relation to Virilio’s text, indicates this historical moment when the traversing of space or distances, to get from one point to the other, changes from actual vehicles to this even faster moment of telecommunications, and that way of overcoming distances,” says Abbas. In The Last Vehicle, Abbas takes over the elongated Long Gallery of the …