Art for the People
The value of art beyond the market What Hong Kong’s private sector should learn from their counterparts in Chengdu By Vivienne Chow In the countryside about an hour’s drive from the centre of Chengdu in southwest China lies a hidden gem. Behind the greenery lies a pathway around a still pond, which reflects an obscurely shaped building. It appears to be comprised of two blocks piled up, covered with chains of tiles draped on the facades, gently reflecting sunlight under the blue sky, and forming a tranquil picture of nature and modernity. This is Zhi Art Museum, designed by Japanese architect Kengo Kuma, one of the latest additions to China’s booming private museum scene. Zhi means “knowledge” in Putonghua, and reflects the institution’s ambition to become a cultural landmark in Sichuan province. The museum’s inaugural exhibition Open bringstogether nine international artists including Chico MacMurtrie, Mariko Mori, Carsten Nicolai and Zhang Peili, whose conceptual works challenge perceptions of contemporary life. The entire project is a statement on the value of art beyond the much-hyped art market. Cities around the world …