All posts tagged: Hong Kong Academy for Performing Arts

Eliso Virsaladze 艾莉索·薇莎拉茲

Concert Hall, Hong Kong Academy for Performing Arts /Hong Kong /Mar 2, 2025 /Ernest Wan / The great Georgian pianist Eliso Virsaladze made her Hong Kong debut in 2017 at the age of 74, playing both solo and chamber music, and returned two years later for a concerto performance. Now 82, she was back at this year’s Hong Kong Arts Festival for a solo recital, one in which her powers proved largely undiminished. The recital began with Schubert’s Moments musicaux, the middle four of which were played in a straightforward fashion. In the C-major opening piece, Virsaladze’s left and right hands at times went slightly out of sync so as to clarify the interaction of two imitative voices, a rare practice among today’s pianists. In the outer sections of the sixth and last piece, in A-flat major, such was the extreme flexibility of her tempo – it changed almost every bar and the music slowed down massively upon settling into F-flat major (notated as E major) – that the triple metre was often difficult to …

Minsoo Sohn 孫旻秀

Concert Hall, Hong Kong Academy for Performing Arts /Hong Kong /Mar 15, 2024 /Ernest Wan / In 2022, South Korean pianist Yunchan Lim shot to stardom when he became the youngest-ever winner of the Van Cliburn International Piano Competition at the age of 18. His success has understandably called increased attention to his teacher Minsoo Sohn, and the Hong Kong Arts Festival invited the latter to make his local debut in both concerto and solo performances. His programmes included Rachmaninoff’s Third Concerto and Liszt’s Études d’exécution transcendante, which Lim performed in the Cliburn final and semi-final respectively. Sohn’s Liszt recital was doubly interesting in that the Études figured prominently in the career of his own teacher, Russell Sherman, who died in September 2023. The 47-year-old Sohn began his recital with Liszt’s Consolations, or Six pensées poétiques, intimate pieces that are mostly slow and soft. His playing of the initial chords of the first piece, more deliberate and meditative than usual, right away characterised his rendition of the entire set – these are serious, even pious …