By Ellen Oredsson “I’m so happy you can see that this is really an exhibition about gender,” says curator Tang Ying Chi when I speak to her about What Do You Want For Tomorrow?, currently on display at the Hong Kong Heritage Museum. Although all 12 participating artists, including curators Tang and Wong Wo Bik, are women, only one of them refers directly to gender issues in her work. Part of the fourth annual Hong Kong International Photo Festival, the exhibition showcases a variety of subject matter, rapidly shifting in tone and medium. A Hong Kong perspective is woven through it: Zoe Chu Wing Man’s Tin Ha Tai Ping features cinematic photographs of urban landscapes covered in drawings lit up like neon signs, while Gretchen So’s Ten Thousand Messages couples her shots of deserted areas of Hong Kong with online discussions to create community engagement. Gender, as an issue, is almost invisible. Tang’s work is, of course, the exception. It’s not the first time she has addressed gender in the art world, having organised female-focused exhibitions …