All posts tagged: Jacqueline Leung

unconstrained tone 亂調

soundpocket / Hong Kong / Dec 11-17, 2020 / Jacqueline Leung / Originally conceived as a series of live performances in May, unconstrained tone was an online screening of seven new audiovisual works by 19 emerging Hong Kong artists. The culmination of a year-long project, it aimed to let participating artists, mostly from composition and videography backgrounds, experiment with ways of bringing sound and image together. Despite its postponement and digital presentation, much of unconstrained tone remained in the here and now. Each work was only up for 24 hours, after which it could no longer be viewed. The programme opened with Synchronization (2020), a multimedia improvisation by musician Kong Chan and filmmaker Wong Hoi-yin. In a dark interior, a dancer moved to music performed using dongxiao flute, electronic sound effects and The World of Dreams, a set of lyrics composed by Hong Yi, an eminent Buddhist monk, sung in the Cantonese naamyam singing tradition. The dancer’s movements were processed by a visual mixer and projected onto the wall, producing illusory shadows that in turn informed the musicians’ playing. A work of simultaneous creation, Synchronization formally embodies the harmony of life’s cycles and of existence, …

Tap Chan, Thea Djordjadze, Jason Dodge, Eisa Jocson, Pratchaya Phinthong

My Body Holds Its Shape / Tai Kwun Contemporary / Hong Kong / May 25 – Sep 27, 2020 / Jacqueline Leung / Little Mermaid Ariel’s song preceded the exhibition hall. By the time the dancer was seen, he had already turned on all fours, stretching his limbs with feline grace. In Eisa Jocson’s Zoo (2020), performance is in a constant state of becoming. Working with the expanse of the room, the dancers shifted between routine and improvised imitations of characters and animals, enlivening a space made to confine – previously as a women’s prison, now as a four-walled enclosure for art. Loosely organised around metaphorical interpretations of the body, such as its existence as a physical container, or as a mental framework of the self, My Body Holds Its Shape questions our efforts to sustain these edifices structuring our understanding of the world. Through the work of five artists, the exhibition opens up these limits as interstices of new relations and significance, creating, according to the opening statement, a “view that was not there …

Aftershock: Essays from Hong Kong

ed. Holmes Chan / Published by Small Tune Press, 2020 / Jacqueline Leung /   The cover is a photograph of an ordinary pavement in Hong Kong: to fill in the holes where old bricks had been dug up by protesters, concrete was poured to ensure it couldn’t happen again, creating uneven surfaces that look like hastily patched-up scars. In the year-long discord that has rocked the city to its core, Hong Kong has not been given space to heal. Newspapers and commentators have covered the protests extensively, but their words are analytical, aiming to explain and speculate about the city’s future, while readers at home, particularly those whose realities are built on the English language, struggle to find representations of months of disenfranchised grief. Not enough has been written about Hong Kong’s trauma in the past year, and Aftershock: Essays from Hong Kong is one of the publications starting to fill that gap. Edited by Holmes Chan, the collection features essays by 11 young journalists reporting for multiple news outlets – one contributor was doxxed by mainland Chinese …