All posts tagged: Perrotin

Izumi Kato 加藤泉 

Perrotin /Hong Kong /Mar 24 – May 18, 2024 / Model figures offer a surprisingly satisfying unboxing experience. First, images on the cardboard box spark the imagination – how could the model within fit into one’s collection? Then there’s the sense of anticipation during the ride home, followed by care when the box is finally opened. Loose pieces of plastic might be found in sealed, see-through bags, or the parts might need to be snipped from sprues, a “new toy smell” released after being sealed in at the factory. The figure will require assembly and there could be no instructions. Some models need to be painted, a process that could take days or weeks. Finally, decals add a touch of realism or personalisation. The model joins an army or fleet or menagerie, and then the collector starts the process all over again. Izumi Kato loves vintage toys. As a youngster, he particularly liked models of fauna from around the world, perhaps using them to connect with creatures that he couldn’t encounter in his hometown in …

Xu Zhen

The Glorious / Perrotin / Hong Kong / Mar 25 – May 11 / Katherine Volk / Walk into Perrotin, and a towering sculpture commands the middle of the room, surrounded by two large-scale series from Xu Zhen’s solo exhibition The Glorious. The juxtaposition of media and styles typifies Xu’s exploration of cultural exchange, authenticity, history, globalisation and capitalism. The prolific artist founded MadeIn Company in 2009 and creates work both individually and through the collective practice of the group. In Eternity – Northern Qi Painted Bodhisattva, River God Ilissos from West Pediment of Parthenon (2018), from Xu’s Eternity series, a replica of a Northern Qi (AD 550-577) figure is posed upside down on top of a replica of a Classical Greek sculpture, with the head and arms removed from the former to match the latter. The two headless, handless bodies are seemingly defenceless, conjoined at the necks in an unwilling but inevitable clash of cultures. The sculptures depict Gods and the Buddha as figures elevated beyond mankind; comically connected, they satirically confront the fluidity and struggles of humanity, globalisation and relationships between ideologies from the east and …