All posts tagged: Spring Workshop

Tai Kwun

By Elliat Albrecht Hong Kong has a soft spot for crime and police stories. Films about gangs, double agents and bloody conflicts have long been a mainstay of local cinema. There is an underlying psychological reason: a surge of public interest in the genre occurred in the 1980s, coinciding with the UK and China’s negotiations over the 1997 handover. Amid anxiety about the political future, the movies often depicted the goings-on of crime syndicates and their clashes with authority to explore themes of loyalty, heroism and chaos. This blue-coat fascination laid the foundation for some of the most significant pop culture of the 1980s – and continues to provide inspiration today, in the form of the city’s newest cultural institution. While Hong Kong awaits the opening of M+, its much-anticipated major museum of visual culture, the recently opened Tai Kwun Centre for Heritage & Arts is poised to tick the mid-size museum box. Built on a historical site, the 19th-century Central Police Station compound on Hollywood Road, Tai Kwun has an unusual cross-disciplinary remit. The …

Wu Tsang

Duilian By Diana d’Arenberg Parmanand In 2005, Massachusetts-born, LA-based performance artist Wu Tsang set off for China to trace her ethnic roots. Her father, who was born in Chongqing, fled China as a child with his journalist parents in 1949, on the cusp of the Communist victory in the Chinese Civil War. They travelled through Hong Kong, the first port of call for thousands fleeing persecution and fearing the onset of the Communist regime, and made their way to the US. Almost 70 years later, Tsang took the same journey back to China, and it was to prove serendipitous creatively. “I grew up in a white American part of the States. We were the only Asians, so I had a mythical notion of my heritage,” she says.  Coming across the story of Qiu Jin led to a decade of research and artistic discovery. “I had an awakening,” she says. “I researched everything I could about her.” Poet, feminist and queer revolutionary Qiu is regarded as a heroine in China, but in 1907 she was far …