All posts tagged: Danh Vō

Danh Vō, Isamu Noguchi

Noguchi for Danh Vō: Counterpoint / M+ Pavilion / Hong Kong / Dec 27 – Jan 10 / Christine Chan Chiu / Noguchi for Danh Vō: Counterpoint, the eighth show staged at M+ Pavilion, brought together the diverse works of two artists, Danh Vō and the late Isamu Noguchi. The word “counterpoint” refers to the two artists’ works being independent but possessing the ability to be interdependent, creating a harmonious rapport when juxtaposed. The exhibition lived up to its musical metaphor and more, highlighting the talent and ingenuity of one artist while exploring the imaginative, multi-layered approach of the other. Inspired by a leitmotif in traditional Chinese ink painting, Vō’s Untitled (Structure for Akari PL2) (2018), modelled after a Chinese Dong pavilion, took centre stage in the main gallery. Flanked and illuminated by Noguchi’s famous Akari lamps, visitors were encouraged to sit and rest there. Parallels soon became clear between Vō’s pavilion and Noguchi’s lamps: both are made from wood (cedar and bamboo respectively), are affordable, easily dismantled and rebuilt, and most importantly stand alone as sculptures in their own right, redefining their surrounding spaces.  …

Noguchi for Danh Vo: Counterpoint

November 16, 2018 – April 22, 2019  M+ Pavilion, West Kowloon Cultural District http://www.mplus.org.hk/counterpoint M+, Hong Kong’s new museum of 20th- and 21st-century visual culture in the West Kowloon Cultural District, presents Noguchi for Danh Vo: Counterpoint, to be held at the M+ Pavilion from November 16, 2018 to April 22, 2019. This exhibition is a dialogue between two artists: Japanese American artist Isamu Noguchi (1904–1988), who is a central figure in the history of modern art, design, and landscape architecture, and Vietnamese Danish artist Danh Vo (born 1975), an original voice in contemporary art practice. The exhibition articulates this conversation through a range of works by Noguchi that spans almost five decades, including drawings, industrial design objects, and sculptures in stone, metal, and other materials. Vo’s contribution to the exhibition consists not only of select examples of his practice produced between 2010 and 2018, but also of building a bridge between two institutions and two cities—M+ in Hong Kong and The Noguchi Museum in New York. The exhibition is structured as a counterpoint, a relationship …

Danh Vō

Solo show. White Cube, Hong Kong, Sep 7 – Nov 12, 2016 By Diana d’Arenberg Parmanand What do demonic possession, Pleistocene mammoth bones, a crusader sword and a Budweiser carton have in common? On first appearances, nothing at all. By installing them across two floors in White Cube Gallery, Vietnamese-Danish artist Danh Vō seems to be playing a practical joke on his audience. On the ground floor sits the installation Lick me, Lick me – a quote from the film The Exorcist (1973) – comprising a fragment of a Roman marble sculpture from the first century AD placed atop a modern refrigerator encasing a French wooden sculpture of Christ from the 16th century. Several metres away, on the floor against the wall, is a gold-leafed Budweiser carton. It looks like forgotten debris from a gallery cocktail party, but peering inside reveals gold fragments of the stars and stripes. A handwritten letter by 19th-century French missionary Jean Theophane Vénard – copied expertly in beautiful calligraphy by Vo’s father – hangs at the bottom of a staircase. Vénard was sent to Vietnam …