All posts tagged: Danh Vō

Noguchi for Danh Vo: Counterpoint

November 16, 2018 – April 22, 2019  M+ Pavilion, West Kowloon Cultural District http://www.mplus.org.hk/counterpoint M+, Hong Kong’s new museum of 20th- and 21st-century visual culture in the West Kowloon Cultural District, presents Noguchi for Danh Vo: Counterpoint, to be held at the M+ Pavilion from November 16, 2018 to April 22, 2019. This exhibition is a dialogue between two artists: Japanese American artist Isamu Noguchi (1904–1988), who is a central figure in the history of modern art, design, and landscape architecture, and Vietnamese Danish artist Danh Vo (born 1975), an original voice in contemporary art practice. The exhibition articulates this conversation through a range of works by Noguchi that spans almost five decades, including drawings, industrial design objects, and sculptures in stone, metal, and other materials. Vo’s contribution to the exhibition consists not only of select examples of his practice produced between 2010 and 2018, but also of building a bridge between two institutions and two cities—M+ in Hong Kong and The Noguchi Museum in New York. The exhibition is structured as a counterpoint, a relationship …

Danh Vō

Solo show. White Cube, Hong Kong, Sep 7 – Nov 12, 2016 By Diana d’Arenberg Parmanand What do demonic possession, Pleistocene mammoth bones, a crusader sword and a Budweiser carton have in common? On first appearances, nothing at all. By installing them across two floors in White Cube Gallery, Vietnamese-Danish artist Danh Vō seems to be playing a practical joke on his audience. On the ground floor sits the installation Lick me, Lick me – a quote from the film The Exorcist (1973) – comprising a fragment of a Roman marble sculpture from the first century AD placed atop a modern refrigerator encasing a French wooden sculpture of Christ from the 16th century. Several metres away, on the floor against the wall, is a gold-leafed Budweiser carton. It looks like forgotten debris from a gallery cocktail party, but peering inside reveals gold fragments of the stars and stripes. A handwritten letter by 19th-century French missionary Jean Theophane Vénard – copied expertly in beautiful calligraphy by Vo’s father – hangs at the bottom of a staircase. Vénard was sent to Vietnam …