All posts tagged: Jaffa Lam

Jaffa Lam 林嵐

Chasing an Elusive Nature / Axel Vervoordt Gallery / Hong Kong / 15 Oct 2022 – 7 Jan 2023 / A long piece of dark wood welcomes visitors at the entrance of the gallery. Like a totem, or the unique remnant of a larger structure, A Piece of Silence from Lying (2022) simply stands on the floor, vertically, as if abandoned. Its delicate, carved lines suggest the fluidity of running water, as if frozen or trapped in its flow. Created from a recycled pine crate, it epitomises Jaffa Lam’s attempts at magnifying the mundane and revealing the fundamental mutability of matter. Her first solo exhibition at Axel Vervoordt Gallery explores the porosity and transformations of media, as a metaphor for the human quest for identity and a sense of belonging. Immediately, there is a large installation, flooded by the window light. Taishang LaoJun’s Furnace (2022) resembles a graveyard, with hundreds of small volcanic stones aligned on dark soil. On closer inspection, the rocks turn out to be made of aluminium, bronze and concrete, all moulded from …

Jaffa Lam at Axel Vervoordt Gallery Hong Kong

Published by Artomity Magazine

Jaffa LamChasing an Elusive NatureOct 15, 2022 – Jan 7, 2023 Artist Talk Jaffa Lam and Dr. Caroline Ha ThucSaturday Oct 15, 20222pm – 3pm Axel Vervoordt Gallery21F, Coda Designer Center62 Wong Chuk Hang RoadEntrance via Yip Fat Street, Wong Chuk HangHong Kong +852 2503 2220Tu-Sa 11am – 7pm axel-vervoordt.com Axel Vervoordt Gallery is pleased to present, Chasing an Elusive Nature, a solo exhibition by Jaffa Lam (b. 1973), the first Hong Kong artist in the gallery’s roster. The inaugural exhibition with the gallery also marks the artist’s first solo exhibition following the invitation by Hong Kong Arts Centre, Jaffa Lam Laam Collaborative: Weaver in 2013. Chasing an Elusive Nature spans the entire floor of the gallery and features new sculptural works and site-specific installations made with a variety of materials, including recycled crate wood, umbrella fabric, bronze, and stainless steel. Lam’s new works are presented in dialogue with some of her earlier pieces, showing her long-standing anchorage in local heritage, history, and explorations into the city’s collective power. “Taishang LaoJun’s Furnace” (2022) is a large installation consisting of 500 rock sculptures moulded from …

Jaffa Lam

Published by Artomity Magazine

By Caroline Ha Thuc / A socially engaged artist, Jaffa Lam (b.1973) has always valued the process of creation more than finished works. For more than a decade she has been collaborating with an association of former workers in the Hong Kong textile industry, creating collective sculptures and art installations that have mostly been exhibited in public spaces. She mainly works with recycled materials: wood and trees from building sites, fabric from old umbrellas and natural elements found at the sites where she works. She treasures any form of craftsmanship and always tries to connect with local know-how. Inspired by her early training as a classical Chinese painter, she retains the poetic spirit of this tradition while anchoring her work within today’s social and political fabric. A free thinker, she maintains some distance from the art market, inviting the audience to resist a cold, efficient, money-driven system that tends to invade everybody’s lives. Caroline Ha Thuc: You began your art practice as a sculptor, working with wood from crates and other recycled materials, and engaging socially with local …

Women in Art: Hong Kong

Published by Artomity Magazine

Au Hoi Lam, Fang Zhaoling, Jaffa Lam, Ko Sin Tung, Man Fung-yi, Mediha Ting, Choi Yan Chi / By Seth O’Farrell / As I walked down the corridor of Murray Edwards College, Cambridge at the new exhibition Women in Art: Hong Kong, the words of writer Eileen Chang came to mind: “Between memory and reality there are awkward discrepancies, producing a solemn but subtle agitation.” The works on show, by artists as varied as Fang Zhaoling, Au Hoi Lam and Ko Sin Tung, are mostly unrelated to one another: some are political, some pay homage to traditional Chinese craft and others fall somewhere in between. But what unites them is a certain restlessness in their melding of memory and reality, and of past and future, as they interrogate the notion of a Hong Kong identity. Co-curated by the New Hall Art Collection and Eliza Gluckman, Women in Art: Hong Kong is dedicated exclusively to women artists working in Hong Kong. The works represented range from guohua painting to conceptual installation, covering 50 years of artistic …

Hi! Houses A rejuvenation of Hong Kong heritage

Published by Artomity Magazine

In Hong Kong many heritage buildings have been destroyed or neglected, and the government has only had a heritage-preservation policy since very recently. Its Art Promotion Office invited four Hong Kong artists to revitalise four centuries-old houses in different corners of the territory, using art as a subtle but powerful tool to link the past with the present and revive collective memory. The exhibitions recall in particular the Hakka heritage of Hong Kong, the commercial prosperity of the city during the 19th century and its role during the overthrow of the Qing Dynasty through the figure of Sun Yat-sen. All the heritage buildings connect Hong Kong with the history of China from different perspectives, at a time when the question of identity is particularly strongly contested. The artists’ research involved meeting descendants of the clans, neighbours, guards and village elders, in order to collect micro-histories, which they mixed with their own stories and historical events. They thus became storytellers, weaving fiction and reality to transform archives, empty walls and facts into vivid contemporary experiences. The cultural heritage consists not …