All posts tagged: White Cube Hong Kong

Tunji Adeniyi-Jones at White Cube Hong Kong

Published by Artomity Magazine

Deep Dive /Mar 22 – May 20, 2023 /Opening: Mar 21, 6pm – 8pm / White Cube Hong Kong50 Connaught Road, Central Hong Kong+852 2592 2000Tuesday – Saturday, 11am – 7pm whitecube.com White Cube Hong Kong is pleased to present ‘Deep Dive’, a solo exhibition by Tunji Adeniyi-Jones and the artist’s first in the region. For this, the artist has created a new suite of paintings and delicate lithographs that address historical subjects – such as mythology, religion and the spectacle of ceremony – through the lens of the contemporary diaspora. As a British Nigerian living and working in Brooklyn, New York, his influences are wide ranging, and comprise African, American and European references. Grounded though the works are in the myth and culture of his own Yoruba heritage, Adeniyi-Jones also looks to the Black-American culture of his immediate surroundings, embracing both the similarities and differences between this lineage and his own. Executed in oil on canvas or in acrylic on board, the paintings feature near life-size figures in vibrant colours set against a background of foliage, making reference to …

Imi Knoebel at White Cube Hong Kong

Published by Artomity Magazine

Green FlagsUntil Mar 11, 2023 White Cube Hong Kong50 Connaught Road, Central Hong Kong+852 2592 2000Tuesday – Saturday, 11am – 7pm whitecube.com In 1913, Russian artist Kazimir Malevich (1879–1935) made what is widely regarded as modern art’s first entirely abstract work, the self-descriptively titled painting Black Square. As a student, German painter Imi Knoebel was inspired by Malevich’s theory of Suprematism, which rejected all representational imagery in favour of the ‘supremacy of pure artistic feeling’. When Knoebel joined Joseph Beuys’ class at the Kunstakademie Düsseldorf in 1964, the young artist began his career-long exploration of the expressive potential of art’s fundamental building blocks – line, form, colour and material. Today, at 82, Knoebel creates an ever-evolving flow of nonobjective works. Ranging from geometric to freeform, from monochrome to multiple colours, they are inspired by his hands-on studio experiments rather than any overarching program. ‘When I am asked about what I think when I look at a painting’ Knoebel has said, ‘I can only answer that I don’t think at all; I look at it and can only take in the …

Margaux Williamson at White Cube Hong Kong

Published by Artomity Magazine

Margeaux WilliamsonInside the White Cube: Margaux WilliamsonNov 18, 2022 – Jan 7, 2023 White Cube Hong Kong50 Connaught Road, Central Hong Kong+852 2592 2000Tuesday – Saturday, 11am – 7pm whitecube.com White Cube Hong Kong is pleased to announce an exhibition of new work by Canadian artist Margaux Williamson (b. 1979) – the artist’s first solo exhibition in Asia, in which she presents a new series of 20 paintings produced in the last year.  Always devoid of protagonists, the paintings depict domestic interior scenes, still lifes or patches of landscape close to the artist’s home. They are predominantly dark in tone, illuminated by strong artificial or directional light and executed in an earthy, sombre palette. ‘…for this series I felt a slight repulsion to daylight… and a strong pull to the ground or to the dark and to the glow of reflected light,’ Williamson has said. The rendering of her subject matter alternates between acute detail and abstract gestures, promoting a sense of something in flux or ungrounded.  Williamson builds her compositions from distinct, constituent parts, combined to form …

Haim Steinbach

Published by Diana d'Arenberg Parmanand

tin drum / White Cube / Hong Kong /Sep 14 – Nov 12, 2022 / Four horizontal display shelves line the exhibition walls of White Cube’s ground floor gallery. The open shelves are lined with groupings of objects – rubber dog chew toys, robots, spaceships and monsters, metal Star Wars lunch boxes. The display is reminiscent of a child’s bedroom, with cherished objects lined up on shelves in a way that may be cryptic to an outsider but hold personal meaning to the child. Angular and wedge-shaped, the shelves and the objects are all in a palette of black and red, sitting in stark contrast against the white walls. Two geometric, black and red toy cars sit beside a snowman-shaped black dog chew toy atop a red and black shelf. The work, El Lissitzky II-4 (2008-2012), references the Russian artist who cofounded the suprematism movement. Allusions to the Russian constructivist movement are echoed throughout the four shelf arrangements, creating a formal visual cohesion.  ‘tin drum’ – named after a 2011 work, tin drum, in the exhibition, …

Haim Steinbach at White Cube Hong Kong

Published by Artomity Magazine

Haim Steinbachtin drumSep 14 – Nov 12, 2022 White Cube Hong Kong50 Connaught Road, Central Hong Kong+852 2592 2000Tuesday – Saturday, 11am – 7pm whitecube.com White Cube is pleased to present ‘tin drum’, an exhibition of new and recent work by Haim Steinbach. Featuring works made in the past two decades, the selection reflects the artist’s engagement with the everyday object and the aesthetic and cultural implications of methods of selection and display. Since the mid 1970s, Steinbach has made structures and devices for presenting various found objects, in particular employing a wedge-shaped shelf based on 40, 50 and 90 degree angles, constructed in several parts and finished with a coloured, plastic laminate. Working within the methodologies of presentation rather than representation, his art sets in train a nexus of associations, enabling multiple potential themes to emerge from the arrangement of these common objects. ‘I [see] my works as an engagement with the here and now, with the archaeology of what exists and what we all participate in,’ Steinbach states. In the ground floor gallery, a group of …

Georg Baselitz at White Cube Hong Kong

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Georg Baselitz /Sofabilder / Sofa Pictures /May 24 – Sep 3, 2022 / White Cube Hong Kong50 Connaught Road, Central Hong Kong+852 2592 2000Tuesday – Saturday, 11am – 7pm whitecube.com White Cube Hong Kong presents Sofabilder / Sofa Pictures, an exhibition of recent paintings and drawings by German artist Georg Baselitz that give new and haunting form to his lifelong quest to unite abstraction and figuration in an inextricable dance. A nude female form based loosely on Baselitz’s wife Elke, whom he’s depicted throughout his career and now conjures from memory, is a central motif in each work. In the paintings, figures are rendered in white and float on their sides on rectangular black backgrounds. Some are set in rudimentary architectural spaces demarcated by white lines, others in an inky void. To make them, Baselitz used a monotype process. First he painted an image of a standing or sitting figure on a canvas and then placed another canvas on top of it, applying pressure with the back of a push broom to transfer the wet paint from one surface …

Ibrahim Mahama at White Cube Hong Kong

Published by Artomity Magazine

Ibrahim MahamaHalf of a Yellow SunApr 8 – May 14, 2022 White Cube Hong Kong50 Connaught Road, Central Hong Kong+852 2592 2000Tuesday – Saturday, 11am – 7pm http://www.whitecube.com  White Cube is pleased to present Half of a Yellow Sun by Ibrahim Mahama, his first exhibition in Hong Kong and Greater China. Featuring a selection of new fabric paintings, the works explore the history of materials, commerce and cultural identity.  The exhibition title is taken from a novel by the Nigerian writer Chimamanda Ngozi Adichie which focuses on the Nigerian-Biafran War in the late 1960s, while the individual works are inspired by the 1970s catalogue of songs by Fela Kuti, the Pan-Africanist musician and political activist. For Mahama, this period of independence from colonial British rule across Africa and the ensuing turmoil, has long been a source of inspiration. As the artist states: ‘this is an African story, with ideas of freedom beyond the chaos.’

Cerith Wyn Evans 凱裡斯·懷恩·埃文斯

Published by Diana d'Arenberg Parmanand

Since the 1990s, Welsh conceptual artist Cerith Wyn Evans has created work about language, perception and representation. The artist skilfully weaves in elements of the musical, literary, philosophical and cinematic, resulting in exhibitions that are densely layered and at times even cryptic, and that have won him acclaim from international institutions such as the Tate Britain, Musée d’Art Moderne de Paris and Austria’s Kunsthaus Graz, and participation in numerous biennales and triennials. His most recent exhibition at White Cube Hong Kong, …)( of, a clearing, featuring installation, sculpture, painting and sound, continues his exploration of the visual and the aural, the relationship between them and the things that lie in between. Using the work of several modern artists as a point of departure, Wyn Evans creates a series of pieces that refer to seminal moments in art history theory, in particular Lucio Fontana’s Concetto Spaziale aesthetic (1947–68), which erased the boundaries among architecture, painting, sculpture and the fourth dimension within art, which cubist artist Max Weber described as “the consciousness of a great and overwhelming …

Cerith Wyn Evans at White Cube Hong Kong

Published by Artomity Magazine

Cerith Wyn Evans….)( of, a clearingJan 20 – Mar 12, 2022 White Cube Hong Kong50 Connaught Road, Central Hong Kong+852 2592 2000Tuesday – Saturday, 11am – 7pm http://www.whitecube.com White Cube Hong Kong is pleased to present an exhibition by Cerith Wyn Evans. Furthering the artist’s exploration of perception through the transposition of form, it features new installation, sculpture, painting and sound work. For this exhibition, Evans has conceived the gallery as a form of ‘vernacular temple’, a space for reflection where possibilities can ensue from interstitial spaces: from the shadows, vibrations, after-images and echoes that occur between and around the artworks. Drawing on several key moments of Modernism, themes of doubt and ambiguity combine with artistic strategies of reversal, disruption and deviation, to open up new realms of experience within the imaginary.

Damien Hirst at White Cube Hong Kong

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Damien HirstHis Own Worst EnemyNov 24 – Jan 8, 2022 White Cube Hong Kong50 Connaught Road, Central Hong Kong+852 2592 2000Tuesday – Saturday, 11am – 7pm http://www.whitecube.com White Cube Hong Kong is pleased to present His Own Worst Enemy, an exhibition by Damien Hirst.  On view in Asia for the first time, sculptures from Hirst’s acclaimed series Treasures from the Wreck of the Unbelievable feature alongside a new series of paintings titled The Revelations, produced in 2021. Treasures from the Wreck of the Unbelievable, a project that Hirst developed over ten years, is based on the fictional discovery of an ancient shipwreck. Realised through a large suite of sculptures, drawings and other ephemera, all created in an extraordinary array of techniques and materials, the series weaves fantasy and historical references to expose the myth and mutability of history, belief systems and art itself.  View full exhibition details online.