All posts tagged: Wilson Shieh

Bodies at Ping Pong Gintonería

Wilson Shieh, Ken Okiishi, John Coplans, Junko Oki, Wong Ping, Cary Kwok, Tala Madani, Cheung Yee, Annie Sprinkle, Carolee Schneemann, Konstantin Bessmertny, Manuel Álvarez Bravo, Sarah Lucas Bodies Jul 12 – Oct 13, 2024 Ping Pong Gintonería 129 Second StreetL/G Nam Cheong House Sai Ying Pun, Hong Kong +852 9035 6197 Tuesday – Sunday, 6pm – 10pm pingpong129art.com This is a summer show of all types of bodies. They all yearn for or revile different things: Ken Okiishi’s boys write postcards to their holiday crushes; Tala Madani disdains the men in her paintings, who look like halal butchers yearning for their lost youth and once active equipment; Konstantin Bessmertny’s weightlifter loves ‘ping pong because it cuts gender and age’ Wilson Shieh’s musical family are strangely androgynous and sexual at the same time; and Annie Sprinkle celebrates her breasts in a bosom ballet. The exhibition is part of Ping Pong’s 10th anniversary celebrations.

Amna Naqvi

Supporter of the arts, collector and philanthropist Amna Naqvi talks about two commissioned pieces in her collection. Untitled is an installation that was commissioned from the Hong Kong-based artist Tsang Kin-Wah in 2012. Both my husband Ali and I’d been noticing Kin-Wah’s work in Hong Kong for some time. For me the appeal lay in his use of text as a leitmotif. We were on an Asia Art Archive Collectors Circle trip to Seoul in 2011 and it proved to be the turning point for this acquisition. We visited Leeum museum in Seoul, came upon Kin-Wah’s text on the glass cladding of the museum, and I was mesmerised by the sheer scale of the installation. We both decided that a commissioned work would be best as we would prefer the possibility of an installation rather than a painting. We invited Kin-Wah home for a discussion with Jehan Chu, who helped us with the commission. We came up with the idea of a folding blue and white chinoiserie-inspired screen which would be manifested as a single work of art but with the …

Hi! Houses A rejuvenation of Hong Kong heritage

In Hong Kong many heritage buildings have been destroyed or neglected, and the government has only had a heritage-preservation policy since very recently. Its Art Promotion Office invited four Hong Kong artists to revitalise four centuries-old houses in different corners of the territory, using art as a subtle but powerful tool to link the past with the present and revive collective memory. The exhibitions recall in particular the Hakka heritage of Hong Kong, the commercial prosperity of the city during the 19th century and its role during the overthrow of the Qing Dynasty through the figure of Sun Yat-sen. All the heritage buildings connect Hong Kong with the history of China from different perspectives, at a time when the question of identity is particularly strongly contested. The artists’ research involved meeting descendants of the clans, neighbours, guards and village elders, in order to collect micro-histories, which they mixed with their own stories and historical events. They thus became storytellers, weaving fiction and reality to transform archives, empty walls and facts into vivid contemporary experiences. The cultural heritage consists not …