Ho Sin Tung 何倩彤
The Optimism in Swamps / 沼地裡的樂觀 / By Christie Lee / At the opening of Ho Sin Tung’s Swampland, one wades (pun intended) through paintings and installations, taking care not to bump into a furry wall or knock over a ghost sculpture. Sufjan Stevens’ Mystery of Love, the theme song to the 2017 film Call Me by Your Name, washes over the crowd, who chat and clink glasses. The title of the show evokes the uncertain state that Hong Kong is in after eight months of protest, with the dimly lit gallery and cobalt walls conveying moodiness – although Ho says they weren’t her decisions. The setting looks markedly different from previous exhibitions by the artist, known for intricate drawings of her obsessions, usually borderline characters aspiring to reach an idealised state, only to find that it inevitably ends in failure. The artist, who was born in Hong Kong in 1986 and is a fine arts graduate from The Chinese University of Hong Kong, says she’s always been interested in the same themes. “This work is about the desire …