Dailyscape / 1999 Art Space / Hong Kong / Oct 8 – 30, 2022 / In Wing Sze Lam’s stars in the woods (2016) and stars in the water (2018), a pair of moving-image works, darkness descends gradually over dense foliage and docked boats until the only sources of illumination are streetlamps and passing vehicles. The camera never moves in either sequence, registering the day’s slow surrender to shadow. Screened near the entrance of 1999 Art Space on two wall-mounted smartphones, the works are an apt introduction to Lam and Heiwa Wong’s Dailyscape, a dual show about documentation and urban memory.  Wong’s photographs likewise carry a sense of duration despite their static medium, evoking long evenings spent under an artificial glow. Images of a laptop screen reflected in a bedroom window and bands of light cutting into a dark footbridge (both from the series stars in the city, 2022) capture the electric quiet of the nighttime.  Lam finds a hidden language of luminescence in “Turn on the light when you are back” (2017–18), comprising clips …