All posts tagged: Shigeo Otake

Shigeo Otake

Agoraphilia /White Cube Hong Kong /Jul 10 – Aug 29, 2026 / A bird-man; one-eyed faces sprouting petal-like rays; life-size mushrooms that function as umbrellas – Shigeo Otake’s surreal paintings feature a curious cast of recurring hybrid characters and motifs. One in particular, a girl in a red dress, appears in almost all the works on view for Agoraphilia at White Cube Hong Kong. At times she’s peering from a doorway in a corner, placed at the entrance of a market in a public square, in front of a gate or between two tentacled creatures – always poised at a threshold, traversing the invisible porosity between two entities. With Agoraphilia, Otake creates and explores the possibilities that arise when human and otherworldly realms blur, describing its imagined population as “inhabitants of another world who have somehow slipped into our own, and ordinary people who find themselves in the other world”. To forge this perspective, the artist needed a figure who represented an ordinary person – the viewer – and conceived the girl in red, whose …

Shigeo Otake at White Cube Hong Kong

Shigeo Otake /Agoraphilia /Jul 10 – Aug 29, 2026 /Opening: Thursday, Jul 9, 5pm – 8pm /Artist tour: 5pm / White Cube Hong Kong50 Connaught Road, Central Hong Kong+852 2592 2000Tuesday – Saturday, 11am – 7pm whitecube.com White Cube presents new fresco and tempera paintings by Shigeo Otake (b.1955, Kobe, Japan) in the artist’s first solo exhibition in Hong Kong. Informed by his interest in Early Italian Renaissance techniques, Otake’s painting practice spans more than four decades. In 1985, a chance encounter with a giant wild mushroom in Kyoto, Japan, sparked his interest in mycology; since the late 1980s he has pursued meticulous studies of parasites and the transformative morphology of Cordyceps, a genus of parasitic fungi. Titled Agoraphilia the exhibition centres on the agora, an Ancient Greek word meaning ‘assembly’, as both a site of action and a conceptual framework. Otake takes this as a departure point for his marketplace paintings, in which he engages with systems of circulation, the logic of consumerism and the dynamics of reciprocity. In these new paintings, densely populated scenes of anthropomorphic figures and botanical forms appear …