All posts tagged: Sunpride Foundation

Myth Makers — Spectrosynthesis III

Tai Kwun Contemporary / Hong Kong / Dec 24 – Apr 10, 2023 / There’s a quote that aspirational content creators like to share online: “Those who tell stories rule the world.” It’s often attributed to Plato or Aristotle, while some say it is wisdom passed down by the Hopi or Navajo Native Americans, but nobody can pin down its origins. Perhaps the line is a modern piece of prose attached to the distant past to feign legitimacy, or maybe thinkers from different eras and geographies landed on the same thought. In any case, it’s branded into the collective consciousness of 21st-century storytellers, giving a semblance of meaning to the words and images they generate. This is precisely how myths are seeded, their origins eventually lost but tales retold with embellishments and new interpretations injected in each iteration. Maybe those who make myths don’t rule the world, but they certainly shape it. The third edition of the Sunpride Foundation’s Spectrosynthesis exhibitions, presented at Tai Kwun and curated by Inti Guerrero and Chantal Wong, involved artworks …

Myth Makers—Spectrosynthesis III at Tai Kwun Contemporary

Myth Makers—Spectrosynthesis III Dec 24, 2022 – Apr 10, 2023 JC Contemporary Tai Kwun 10 Hollywood Road Central, Hong Kong Tue – Sun, 11am – 7pm taikwun.hk Tai Kwun Contemporary and Sunpride Foundation are proud to co-present Myth Makers—Spectrosynthesis III, one of the first major survey exhibitions on LGBTQ+ perspectives in Hong Kong. Curated by Inti Guerrero and Chantal Wong, Myth Makers draws inspiration from artists addressing “queer mythologies,” who highlight same-sex love / desire and gender fluidity as found in ancient belief systems and traditions in Asia. Expanding on the Spectrosynthesis exhibition series from Taipei and Bangkok, this iteration in Hong Kong features more than 100 artworks by over 60 artists in Asia and its diasporas, with one third of the works loaned from Sunpride’s collection. Myth Makers unfolds through three distinctive chapters and encompasses newly produced artworks and historical works from the 1940s to the 1990s. In bringing together such a plethora of artistic perspectives and vocabularies, the exhibition endeavours to present a multiplicity of conversations, representations, and anti-representations of stories, individuals and …