All posts tagged: Christine Chan Chiu

Danh Vō, Isamu Noguchi

Noguchi for Danh Vō: Counterpoint / M+ Pavilion / Hong Kong / Dec 27 – Jan 10 / Christine Chan Chiu / Noguchi for Danh Vō: Counterpoint, the eighth show staged at M+ Pavilion, brought together the diverse works of two artists, Danh Vō and the late Isamu Noguchi. The word “counterpoint” refers to the two artists’ works being independent but possessing the ability to be interdependent, creating a harmonious rapport when juxtaposed. The exhibition lived up to its musical metaphor and more, highlighting the talent and ingenuity of one artist while exploring the imaginative, multi-layered approach of the other. Inspired by a leitmotif in traditional Chinese ink painting, Vō’s Untitled (Structure for Akari PL2) (2018), modelled after a Chinese Dong pavilion, took centre stage in the main gallery. Flanked and illuminated by Noguchi’s famous Akari lamps, visitors were encouraged to sit and rest there. Parallels soon became clear between Vō’s pavilion and Noguchi’s lamps: both are made from wood (cedar and bamboo respectively), are affordable, easily dismantled and rebuilt, and most importantly stand alone as sculptures in their own right, redefining their surrounding spaces.  …

Irving Penn

Irving Penn / Pace / Hong Kong / Jan  25 – Mar 7 / Christine Chan Chiu / Irving Penn at Pace not only highlighted the artist’s accomplishments in fashion photography, portraiture and still lifes, thanks to a long, illustrious career at Vogue, but also revealed and celebrated his first love, painting. The first show in Hong Kong dedicated solely to Penn, it was an accurate if concise retrospective of a brilliant artist who sought to find beauty in everything he portrayed, and whose creativity extended beyond the lens. The audience was able to trace Penn’s path as it evolved and to appreciate the many facets of his practice. Works such as Large Sleeve (Sunny Harnett) (1951) and Black and White Fashion with Handbag (Jean Patchett) (1950) attest to his keen eye for fashion styling, zooming in on his talent for capturing sculptural form and detail in fabric, magnified by the stark black-and-white contrast of gelatine silver prints. They were displayed alongside ethnographic portraits from Morocco and nudes that convey softness and suppleness. Past the main salon were individual portraits of …

Ethan Murrow

We Travel in Our Minds / Duddell’s / Hong Kong / Oct 10 – Mar 10 / Christine Chan Chiu We Travel in Our Minds was the latest guest-curated exhibition that Duddell’s presented for its third consecutive autumn programme, with the aim of showcasing unique, rarely seen items from private Hong Kong collections. It highlighted unusual pieces from three collections in the Duddell’s library, replacing the books on its shelves as objects conveying knowledge, culture and history. They were complemented by a series of meticulously executed black-and-white wall drawings by Boston-based artist Ethan Murrow. Depicting imagined worlds of the whimsical and the absurd, they formed a fantastical backdrop for the objects. The result was a melange of contrasting artforms that balanced the classical with the modern, creating an interesting, serendipitous conversation between the two. Most of the antiques were from the Claire & Francis Heritage Lane Collection, with the oldest, a white pottery bird-shaped cup, dating to the Han dynasty (202BC-220AD). There were other animal-themed vessels in the form of a parrot-shaped stoneware cup from the Northernand Southern dynasties (420-589AD) and two small Yue ware …

Sara Tse

Re Visit  Tai Kwun Hong Kong Jun 8 – Jul 8 Christine Chan Chiu Touch Ceramics, in Hong Kong’s newest centre for heritage and arts, Tai Kwun, kicked off with an inaugural show of Sara Tse’s newest works. An artist long fascinated by the transience of time and the impermanence of life, Tse is known as much for her tactile abilities in modelling and manipulating clay as for the sentimental content of her pieces. The exhibition was not only a tribute to technique and craftsmanship but also a timely throwback to things past. Tse discovered her signature method by chance, when the cloth used to clean her ceramic work table had hardened along with the clay. Experimenting by heating up the cloth, she discovered that while the cloth itself had been incinerated, what remained after the process was the exact replica of the cloth, but in porcelain, creating something that will last forever. Tse applies this method faithfully to her latest works, where she has turned her attention to cartography to highlight how Hong Kong …

Jane Lee

Red States Hong Kong Arts Centre Hong Kong May 11 – Jun 10 Christine Chan Chiu The aptly named Red States showcased 17 new works and smaller existing pieces and studies by Singaporean artist Jane Lee, revolving around the boldest of all colours. Alluring and provocative, the exhibition invited its audience to contemplate the emotions and connotations that the colour red conjures. More importantly, it provided an insight into Lee’s innovative practice and artistic virtuosity for the past 15 years, highlighting her vastly tactile signature techniques, including coiling, layering, mixing and stacking. At the entrance, visitors were greeted by a large heap of tangled red canvas threads, a prelude of what was to come. The rectangular piece The Story of Canvas #2, hanging in the main gallery, is made of more layers of canvas threads, giving it an organic, fibrous texture. The Story of Canvas #1 and The Story of Canvas #1a followed – compositions of roundels of varying sizes made from coils of red canvas strips, strategically arranged and spanning 500cm along the wall. These works prompt the viewer to abandon all preconceived …