All posts tagged: gdm 爍樂畫廊

Wesley Tongson at gdm Taipei 

Wesley Tongson Whispers of Myriad ValleysApr 16 – Jun 27, 2026Opening: Apr 16, 4pm – 7pm 1/F, 390 Ruiguang RoadNeihu, Taipei+886 2 7713 6696Tuesday – Saturday, 11am – 7pm galeriedumonde.com Wesley Tongson (1957–2012) transformed ink painting into a fearless act of experimentation and expression. From his early splash-ink works—pigments cascading in ecstatic rhythms—to his radical abandonment of the brush, painting instead with fingers, fingernails, and hands, Tongson made the body itself the brush. Each gesture was a performative outpouring of emotion, each mark a whisper that swelled into powerful resonance. His artistic journey unfolds as a restless search for transcendence. Radiant splash-ink landscapes dissolve boundaries between tradition and innovation, while monumental finger paintings collapse the distance between artist and medium. At the exhibition’s center, the monochrome Spiritual Mountains are set within a mirrored chamber, immersing viewers in a space of contemplation. In later years, Tongson reintroduced color into these mountains, conjuring imaginary worlds where dreams and his inner voice could be revealed. The path culminates in finger-painted plants, placed in dialogue with the living garden beyond the gallery walls. These works embody resilience, purity, and renewal, …

Tsang Kin-Wah 曾建華

T REE O GO D EVIL /gdm /Hong Kong /Mar 19 – May 24, 2025 / Tsang Kin-Wah’s latest solo exhibition, T REE O GO D EVIL, is conceived as a total installation – an immersive visual and auditory environment that blends the artist’s characteristic use of textual quotations with edited video excerpts, including films or online clips depicting scenes of violence. The work revisits the artist’s enduring thematic concerns, drawing inspiration from the Bible, prophetic imagery of the apocalypse and current events to interrogate the contemporary meaning of moral values such as good and evil, the human capacity for judgement and humanity’s place within what Tsang frequently describes as an illusory world. Visitors enter the gallery through a narrow corridor, crossing metal grilles almost imperceptibly before arriving in the main exhibition space. At its centre stands a large pillar, a massive tree whose trunk is covered in letters and phrases. Its branches extend across the ceiling, made of coiled and uncoiled text, as well as suspended words and letters. While the formal language is …