All posts tagged: Lehmann Maupin

Kader Attia at Lehmann Maupin, Hong Kong

Héroes Heridos November 1 – December 22 Lehmann Maupin will present Kader Attia’s first exhibition in Hong Kong, showcasing recent works on canvas, collage, sculpture, and his film Héroes Heridos (2018), which debuted at the Miró Foundation in Barcelona this summer. In 2017, Attia was awarded the prestigious Joan Miró Prize, preceding his exhibition Scars Remind Us that Our Past Is Real at the foundation. That exhibition, along with this one at Lehmann Maupin, both embody Attia’s career-spanning examination of the notion of repair as a global, cultural phenomenon in response to historic, collective trauma. There will be an opening reception on Thursday, November 1, at the Pedder Building, from 6 to 8pm. 407 Pedder Building 12 Pedder Street, Central T (852) 2530 0025 Tu-Fr 10am to 7pm, Sa 11am to 7pm Image: Mirrors by Kader Attia, Canvas and thread, 30.2 x 24.1 cm, 2014. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.

Catherine Opie at Lehmann Maupin, Hong Kong

So long as they are wild through July 7, 2018 Lehmann Maupin is pleased to present So long as they are wild, a solo exhibition of recent work by Catherine Opie. For the Los Angeles-based artist’s first solo exhibition in Hong Kong, Opie will present a series of photographs shot in one of the United States’ most revered and naturally beautiful locations, Yosemite National Park in California. Opie is known for her ability to create photographs that unite contemporary themes and issues with a classical aesthetic that expands upon her exploration of the tradition of photography as well as the greater art historical canon. In addition to the photographs, Opie will include a series of ceramic sculptures. This recent undertaking of sculpture began as a personal pastime but has evolved into an alternative aesthetic pursuit. 4th Floor, Pedder Building 12 Pedder Street, Central T (852) 2530 0025 Email Web Tu-Fr 10am to 7pm, Sa 11am to 7pm Image: Installation view of So long as they are wild by Catherine Opie at Lehmann Maupin Hong Kong. 

Alex Prager

Lehmann Maupin  Hong Kong Jan 18 – Mar 17 Katherine Volk For Alex Prager’s second solo exhibition in Hong Kong, the Los Angeles-based artist demonstrates through staged film and photography that a familiar truth lies beneath fiction. To the left of the entrance sits Prager’s sculpture Hand Model (detail) (2017) of a bent finger with a long, red-painted nail. Next to the manicured finger is Hand Model (2017), a framed, enlarged image of a whole outstretched hand against a muted background. The cropping from body to hand, and from hand to finger, is reminiscent of advertising practices of enlarging and editing to fit ideals and specifications. Advertising is further emphasised when the same image is used in Star Shoes (2017). Hidden in the corner of the large-scale photograph, an advertisement appears on the back of a model’s magazine prop. It questions the importance of imagery and detail in our daily lives and how the smallest image or the biggest billboard can have an effect on our consciousness. In the other portion of the gallery, Prager’s single-channel video Applause (2016) plays against the white-walled backdrop. …

Alex Prager at Lehmann Maupin, Hong Kong, January 18

Lehmann Maupin is pleased to present an exhibition of new work by Alex Prager. The Los Angeles-based artist returns to Hong Kong with her signature style of theatrical and meticulously staged photography and film, as well as her first exhibited sculpture. In her most recent series, Prager manipulates scale and dimension to challenge our understanding of the boundary between fiction and reality. The gallery will host an opening reception on Thursday, January 18, from 6–8 pm, at the Pedder Building. Those familiar with Prager’s work will recognize elements that recall past series, such as Face in the Crowd (2013), in which her compositions highlighted the contrast between crowded public spaces and a lone heroine. These latest works push the theatrical narrative potential of her prior series. The imagery lays bare the artifice in its creation, achieved through impossible, contrived viewpoints, layering of incongruent scenes—such as a rainy day on top of a sunny one—and other formal and technical controls that challenge the assumed naturalism of photography and film.  One such formal device is scale—a major component in the …

Mr.

Sep 14 – Oct 21 Opening: Tuesday, Sep 14, 6–8pm Floating in the Air in the Vicinity of a Convenience Store is the first exhibition at the Hong Kong gallery by Mr. (b. 1969, Cupa, Japan). It features recent paintings, a sculpture and a series of drawings. Lehmann Maupin 4th Floor, Pedder Building, 12 Pedder Street, Central T (852) 2530 0025 Email Web Tu-Fr 10am to 7pm, Sa 11am to 7pm Since its establishment nearly two decades ago Lehmann Maupin has identified and cultivated the careers of an international roster of visionary and historically significant artists. The gallery has garnered a reputation for supporting artists working across disciplines and with new and challenging forms of creative expression; artists whose work has had a lasting impact on contemporary art and culture. Lehmann Maupin has given some of contemporary art’s most highly respected artists their first one-person exhibitions in New York, including Anya Gallaccio, Shirazeh Houshiary, Klara Kristalova, Liu Wei, Do Ho Suh, Juergen Teller, and Adriana Varejão. In addition, the gallery has highlighted emerging talents, such as Mickalene Thomas, Hernan …

Do Ho Suh

Passage/s Lehmann Maupin Hong Kong Mar 20 – May 13, 2017 Margot Mottaz Every now and then you encounter an artist who resonates so deeply with you that they become a reference against which you assess all others. Do Ho Suh is one of them for me. I first discovered his work at his first Hong Kong solo exhibition, here at Lehmann Maupin, when his ongoing Specimen Series, small apartment fixtures and appliances replicated in translucent nylon, were displayed there in December 2013. Many artists tackle questions of home, displacement and personal space, but few do it with as much finesse, simplicity and beauty as Suh. Initially as a result of his move from his native South Korea to the US in the 1990s, his work seeks to apprehend the fundamental question of belonging and by extension identity. Now based in London with his family, his endeavour has remained the same but the premise has developed to include the complexity of fatherhood. His daughters played a key role in the creation of each work in …